
Self-Portrait (Durer)
Dürer faced himself head-on in a pose reserved for images of Christ, and wrote across the panel that he had painted it at twenty-eight.

Dürer faced himself head-on in a pose reserved for images of Christ, and wrote across the panel that he had painted it at twenty-eight.

A monk and a nun bawl a song over a lute while somebody vomits over the side. The boat has no rudder, which is the point.

Death comes through the door while an angel points to the crucifix and a demon offers one more bag of gold. The man has not chosen.

Bare priming still shows where the Virgin was meant to sit. Michelangelo probably set it aside to go back to Florence and carve the David.

The lyrical Bosch, all calm light and wide landscape, except for the small insect-demon with a human face tending a fire in the corner.

A man rides a wine barrel while swimmers chase a floating pie. It was sawn off the bottom of the Ship of Fools.

The tiny kneeling figures in the corners are the Nuremberg family who paid for it, inserted so they could share in the grief.

The oval face, the lowered eyes, the Umbrian distance melting into air. Raphael took all of it and then went past it.