
The Descent from the Cross (van der Weyden)
1435 · El Prado, Madrid
The fainting Virgin curves in an exact echo of her dead son, the stroke that made van der Weyden the most copied painter in the north.
★ 9.1

The fainting Virgin curves in an exact echo of her dead son, the stroke that made van der Weyden the most copied painter in the north.

Broken lances lie along the receding lines of a perspective grid. Vasari said Uccello sat up all night muttering about how sweet it was.

She sits in profile against a hedge of carnations with butterflies going past, a sprig of juniper on her sleeve punning on her name.

The feast on the left, the severed head delivered on the right, both staged in a colonnade built with Masaccio's new perspective.