
Midnight City
Gonzalez built that shrieking hook from his own distorted voice, then let James King's saxophone close the record.

Gonzalez built that shrieking hook from his own distorted voice, then let James King's saxophone close the record.

Roback's guitar and Sandoval's half-whisper, the band's only Hot 100 entry, and television's favorite shortcut to longing.

A house fire left Smith with photographs of Mary salvaged from his wallet, and one became the single's sleeve.
Bedroom pop in the literal sense, a Gary Low disco record slowed to a crawl, and chillwave had its template.

A debut single written about her first love, with Stephen Street producing and Mike Mahoney's voice climbing wordlessly out the top.

Del Rey wrote it with Lou Reed in mind, then sang the Brooklyn hipster caricature straight, deadpan and unbothered.
Cut to 24-track analog tape at Sonic Ranch in Texas, gauzy organ, Legrand singing a relationship dissolving.

Beats emailed from Montreal to Halifax, and James turning anatomy into a love language over Roddick's synths.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Roddick emailed tracks from Montreal to James in Halifax, and the album took its title from this song's lyric.