
Evil
Charlie White's video put an animatronic puppet through a real emergency room, six puppeteers digitally erased; fans named it Norman.

Charlie White's video put an animatronic puppet through a real emergency room, six puppeteers digitally erased; fans named it Norman.

Flowers called it the story of trying to meet someone in a club; Keuning's hook does the flirting.

Cut in Aaron Dessner's Brooklyn garage, a horn part stripped out late, leaving that rolling drum pattern and Berninger's baritone.

Gospel choir the Sweet Inspirations, a bassline Flowers traced to Bowie, and a refrain built for arenas.

Twenty minutes for melody and title, by Flowers' account, and Flood and Moulder gave it Born to Run scale.

Nigel Godrich's sessions got scrapped, Gordon Raphael came back, and the descending twin-guitar riff turned everything into a sprint.

Two songs welded together, the tempo dropping a minute in, and a sniper film lending Kapranos his double-edged title.

Flowers wrote it after a bad night at a Vegas bar; Britain has kept it charting past 500 weeks.