
Coolie High
Ski built it from Janet Jackson's "Funny How Time Flies" and Skull Snaps drums; two Bronx kids talking pure seventies.

Ski built it from Janet Jackson's "Funny How Time Flies" and Skull Snaps drums; two Bronx kids talking pure seventies.

Two Melvin Van Peebles samples anchor it, and the trio spends the whole track naming exactly what shaped them.

An upright bass loop, a playground chant for a hook, and a remix that so eclipsed the original nobody plays it.

Q-Tip flipped a Weldon Irvine bassline, Trugoy took the hook, and the chorus name-checks cities from New York to Tokyo.

Butler built it from an Art Blakey bassline in his father's jazz records, three voices making cool sound effortless.
A-Plus flipped Billy Cobham's Heather into a beat he made in high school, and Oakland never sounded calmer.

Q-Tip built the beat in his grandmother's basement from a Ronnie Foster loop, and Phife traded lines with him.

A borrowed Lou Reed bassline that reportedly took all the royalties, and a call-and-response hook the crowd finishes.

Q-Tip read Miles Davis on space, then rapped conversationally over a Rotary Connection loop and made desire sound utterly relaxed.

No I.D. looped George Benson, Common told hip hop's story as one woman, and Ice Cube took it personally.

An Average White Band loop, Q-Tip and Phife trading lines, and a Queens rooftop that Linden Boulevard still remembers.

Five MCs passing the microphone, and Busta Rhymes at nineteen turning a guest verse into an entire career.
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.

Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.