Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
Rashomon
Directed by Akira Kurosawa
1950 · Japan
Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.
★ 9.1
Ran
Directed by Akira Kurosawa
1985 · Japan
Kurosawa was seventy-five and his eyesight was failing when he made it: King Lear moved to feudal Japan, with a great battle that plays to music and nothing else.
★ 8.7
Ikiru
Directed by Akira Kurosawa
1952 · Japan
Kurosawa's answer to how a life should be spent: a bureaucrat gets one piece of terrible news and starts spending what is left deliberately, which will change how you see your job.
★ 8.5
Yojimbo
Directed by Akira Kurosawa
1961 · Japan
Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.
★ 8.4
High and Low
Directed by Akira Kurosawa
1963 · Japan
Kurosawa spends the entire first hour inside one house and it is unbearable: a rich man learns the kidnappers took the wrong child and still want his money.
★ 7.8
Throne of Blood
Directed by Akira Kurosawa
1957 · Japan
Shakespeare's Macbeth moved to sixteenth-century Japan with every line of the poetry gone: Kurosawa substitutes fog, Noh masks worn as faces, and a forest that seems to be watching the castle.
★ 6.8
The Hidden Fortress
Directed by Akira Kurosawa
1958 · Japan
Lucas took the two bickering peasants and turned them into R2-D2 and C-3PO: Kurosawa's first widescreen film tells an escape story from the point of view of its most useless characters.
★ 6.5