Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
Schindler's List
Directed by Steven Spielberg
1993
More people have understood the Holocaust through this film than through any other: Spielberg took no fee, shot it in black and white, and gave the last word to the survivors.
★ 9.7
The Passion of Joan of Arc
Directed by Carl Theodor Dreyer
1928
No screen performance has been called greater, and its actress never made another film: Dreyer shot Renee Falconetti's face in close-up, and his original cut went missing for fifty years.
★ 8.7
Portrait of a Lady on Fire
Directed by Celine Sciamma
2019
Sciamma made a love story with almost no men in it and built the entire thing out of glances, firelight and the things two people decline to say.
★ 8.5
Yojimbo
Directed by Akira Kurosawa
1961 · Japan
Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.
★ 8.4
12 Years a Slave
Directed by Steve McQueen
2013
The first Best Picture from a Black director, and the least evasive film ever made about American slavery: McQueen holds shots long past comfort and refuses to look away.
★ 8.3
Harakiri
Directed by Masaki Kobayashi
1962
Kobayashi took the samurai film apart from the inside: an old warrior asks to die in a lord's courtyard, and what he says first dismantles the entire code of honor.
★ 8.2
Ugetsu
Directed by Kenji Mizoguchi
1953
Mizoguchi's ghost story is the one other directors mention when asked what changed them: two peasants chase money through a civil war, and the crossing through fog is unearthly.
★ 8.2
Gladiator
Directed by Ridley Scott
2000
It dragged the Roman epic back after thirty-five years of dormancy: Russell Crowe's fury is the whole engine, and the arena sequences still deliver everything they promise.
★ 7.5
4 Months, 3 Weeks and 2 Days
Directed by Cristian Mungiu
2007
The Romanian New Wave announced itself with this: an illegal abortion arranged across one day in 1987, filmed in long static takes that give you nowhere to look.
★ 7.2
Master and Commander: The Far Side of the World
Directed by Peter Weir
2003
No film has put an audience inside a wooden warship this completely: Weir's frigate is a working machine of rope and rank, chasing a faster enemy across the bottom of the world.
★ 6.8
The Killing Fields
Directed by Roland Joffe
1984 · United Kingdom
Haing Ngor had never acted in his life and won an Academy Award for this: Roland Joffe films the fall of Phnom Penh through an American reporter and the Cambodian colleague beside him.
★ 6.4
Ben Hur
Directed by William Wyler
1959
The chariot race took months to shoot and has never been bettered: Wyler's epic runs almost four hours and earns every minute of the nine it spends inside that arena.
★ 6.3
Braveheart
Directed by Mel Gibson
1995
Historians have been correcting it for thirty years and nobody cares: Gibson staged medieval battle with a physical brutality nothing before it had, and the speeches still work on an audience.
★ 6.3
Argo
Directed by Ben Affleck
2012
The CIA really did produce a fake science fiction movie to get six Americans out of Tehran, and kept it classified until 1997: Affleck plays the operation completely straight.
★ 6.1
Spartacus
Directed by Stanley Kubrick
1960
Kirk Douglas helped break the blacklist by putting Dalton Trumbo's real name on this film: a slave revolt against Rome staged at enormous scale, with Laurence Olivier and Charles Laughton circling the politics.
★ 6.1
Apollo 13
Directed by Ron Howard
1995
Ron Howard shot the weightless scenes in an aircraft flying parabolas, twenty-three seconds at a time: no effects, real floating, and engineers improvising with only what the crew already had aboard.
★ 6.1
Lincoln
Directed by Steven Spielberg
2012
Day-Lewis found a high, reedy voice for Lincoln because the historical accounts describe one: Spielberg and Tony Kushner build a whole film out of counting votes for the Thirteenth Amendment.
★ 6.0
Dangerous Liaisons
Directed by Stephen Frears
1988
Glenn Close and John Malkovich play two aristocrats who ruin people for entertainment: Frears films eighteenth-century seduction as a campaign with objectives, and the wit stays lethal to the end.
★ 5.5
The Ten Commandments
Directed by Cecil B. DeMille
1956
American television has run it every Easter for over fifty years: DeMille parted the Red Sea with gelatin, dumped water and a reversed film, and nobody has topped the sheer nerve of it.
★ 5.5
Hugo
Directed by Martin Scorsese
2011
Scorsese made a children's film in 3D to argue for film preservation: an orphan living inside a Paris railway station keeps a broken automaton his father left him, and the station watches him.
★ 5.5
The King's Speech
Directed by Tom Hooper
2010
Made for eight million pounds and returned thirty times its budget: Colin Firth plays a duke who dreads a microphone, and Geoffrey Rush the unqualified Australian who will not defer to him.
★ 5.0
Les Miserables
Directed by Tom Hooper
2012
Every note was sung live on set instead of lip-synced to a recording, which nobody had attempted at this scale: the camera sits inches from faces the entire time.
★ 3.5
Chariots of Fire
Directed by Hugh Hudson
1981 · United Kingdom
The Vangelis theme is so famous that people forget the film underneath is about religion: two runners at the 1924 Olympics, one running for God and one against English antisemitism.
★ 3.3
Mutiny on the Bounty
Directed by Frank Lloyd
1935
Three of its actors were nominated for Best Actor in the same year, and the supporting categories were created the next: Charles Laughton's Captain Bligh remains the definition of a tyrant.
★ 2.5