Raiders of the Lost Ark
Directed by Steven Spielberg
1981
Every adventure film since is measured against it: Spielberg and Lucas built a machine of chases and near misses so efficient that forty years of imitation have not worn it out.
★ 9.5
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
The Dark Knight
Directed by Christopher Nolan
2008
Adults started arguing about superhero films because of this one: Ledger's Joker is so unnerving that the Academy gave a posthumous Oscar to a man in clown makeup.
★ 9.2
North by Northwest
Directed by Alfred Hitchcock
1959
Every spy thriller since owes it something, James Bond most of all: Hitchcock chases an innocent man across America by crop duster and over Mount Rushmore, enjoying himself throughout.
★ 9.1
The Matrix
Directed by The Wachowskis
1999
Action filmmaking divides neatly into before and after this one: the Wachowskis fused Hong Kong wire work with a philosophy seminar's premise and everyone spent five years copying it.
★ 8.9
Aliens
Directed by James Cameron
1986
Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.
★ 8.6
Terminator 2: Judgment Day
Directed by James Cameron
1991
Computer effects became believable overnight: Cameron spent more money than anyone ever had, put a liquid metal killer on screen, and every studio in town immediately started writing checks.
★ 8.2
Die Hard
Directed by John McTiernan
1988
Hollywood spent the next decade pitching films as Die Hard on a boat, a bus, a plane: McTiernan built the action machine everyone has been copying since 1988.
★ 8.0
Inglourious Basterds
Directed by Quentin Tarantino
2009
Christoph Waltz plays four languages and makes every one of them frightening: Tarantino builds his scenes as long conversations where somebody at the table already knows too much.
★ 7.9
The Terminator
Directed by James Cameron
1984
Cameron made it for six million dollars and launched two careers and a franchise: a machine that cannot be bargained with, cannot be reasoned with, and absolutely will not stop.
★ 7.9
The Hurt Locker
Directed by Kathryn Bigelow
2009
Bigelow made war feel like an addiction rather than a duty: a bomb disposal sergeant works without much fear, and every defusal is stretched until the room turns physical.
★ 7.3
Django Unchained
Directed by Quentin Tarantino
2012
Tarantino turned American slavery into a spaghetti western and got away with it: a freed slave rides with a German bounty hunter, and the dialogue never stops crackling.
★ 7.2
Casino Royale
Directed by Martin Campbell
2006
It stripped Bond back to a man who bleeds: the parkour chase in the opening twenty minutes told audiences immediately that the gadgets and the winking were gone.
★ 7.1
Indiana Jones and the Last Crusade
Directed by Steven Spielberg
1989
Casting Sean Connery as the father was the best idea the series ever had: the bickering carries a treasure hunt that would otherwise just be a rerun.
★ 7.1
Minority Report
Directed by Steven Spielberg
2002
Spielberg hired futurists to design 2054 and most of what they invented has since arrived: gesture screens, targeted advertising, and a police force that arrests you beforehand.
★ 6.8
Kill Bill
Directed by Quentin Tarantino
2003
Tarantino built it out of every film he ever loved: kung fu, spaghetti westerns, anime and samurai pictures, and the House of Blue Leaves fight tops all of them.
★ 6.8
The Killer
Directed by John Woo
1989 · Hong Kong
Woo shoots gunfights the way other directors shoot musical numbers: two pistols, slow motion, doves, and underneath it a straight-faced story about honor between a hitman and the cop hunting him.
★ 6.8
The Bourne Ultimatum
Directed by Paul Greengrass
2007
Handheld chases got shakier for a decade because of this film: Greengrass films spying as legwork rather than glamour, and the Waterloo Station chase is the most tightly constructed surveillance sequence ever filmed.
★ 6.7
Hero
Directed by Zhang Yimou
2002 · China
Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.
★ 6.7
Skyfall
Directed by Sam Mendes
2012
Roger Deakins photographed a James Bond film and the series has never looked the same: the Shanghai fight plays out in silhouette against neon, and the plot finally asks what Bond is for.
★ 6.6
The Fugitive
Directed by Andrew Davis
1993
The train wreck was staged for real because it was cheaper than faking it: a surgeon convicted of his wife's murder runs, and Tommy Lee Jones's marshal is better company than the hero.
★ 6.4
Captain Phillips
Directed by Paul Greengrass
2013
Barkhad Abdi had never acted and was cast out of a Minneapolis open call: he holds the screen against Tom Hanks through the last hour on a lifeboat off Somalia, and never blinks.
★ 6.4
Hot Fuzz
Directed by Edgar Wright
2007 · United Kingdom
Wright's parody is better constructed than most of the films it mocks: a London supercop is exiled to a picture-perfect village, and the final act is staged better than the real thing.
★ 6.4
Batman Begins
Directed by Christopher Nolan
2005
Serious superhero films begin here: Nolan built the car for real, kept Gotham plausible, and treated a man in a bat costume as a psychological problem rather than a joke.
★ 6.3
Leon: The Professional
Directed by Luc Besson
1994
Natalie Portman was twelve and had never acted: Besson pairs her with a hitman who waters his houseplant like a dependent, and the film has been argued about ever since.
★ 6.3
Goldfinger
Directed by Guy Hamilton
1964
Everything the Bond series still does was fixed here: the Aston Martin, the title song belted over the opening credits, the death trap the villain explains, and a henchman with a signature weapon.
★ 6.3
Superman
Directed by Richard Donner
1978
Warner promised audiences they would believe a man could fly, and they did: Christopher Reeve plays both halves so completely that a pair of glasses becomes a plausible disguise.
★ 6.1
The Hunt for Red October
Directed by John McTiernan
1990
John McTiernan solves the language problem with a slow push in on the Russian political officer, and everyone speaks English from then on: submarine cat-and-mouse with almost no violence in it.
★ 6.0
Mad Max
Directed by George Miller
1979 · Australia
Made in Australia for four hundred thousand dollars and held a record for return on investment: George Miller was an emergency room doctor, and the crashes look like things he had seen.
★ 5.9
Predator
Directed by John McTiernan
1987
The original creature suit was so bad they scrapped it mid-shoot and had Stan Winston build another: a commando squad in the jungle slowly works out that something is hunting them.
★ 5.9
A Better Tomorrow
Directed by John Woo
1986 · Hong Kong
It made Chow Yun-fat a superstar and started an entire Hong Kong genre: two brothers on opposite sides of the law, and a gunman in a trenchcoat lighting a cigarette with money.
★ 5.7
Escape from Alcatraz
Directed by Don Siegel
1979
Shot on the actual island, in the actual cells: Don Siegel films a 1962 escape as pure method, spoons and paint and papier-mache heads, and explains nothing to anyone.
★ 5.6
Ip Man
Directed by Wilson Yip
2008
Donnie Yen plays Bruce Lee's future teacher and does his own fighting throughout: Wing Chun filmed at full speed with long takes, in a Foshan under Japanese occupation.
★ 5.4
Lethal Weapon
Directed by Richard Donner
1987
Shane Black sold the script at twenty-three and set the buddy-cop template for two decades: one cop is counting down to his pension, the other is a widower nobody trusts to be careful.
★ 5.3
Avatar
Directed by James Cameron
2009
Cameron waited more than a decade for the technology to catch up to his script, then made the highest-grossing film ever released: whatever you make of the story, nothing had looked like this.
★ 5.2
Bullitt
Directed by Peter Yates
1968
The San Francisco car chase runs almost eleven minutes with no music at all, only engines: everything since has been a response to it, and Steve McQueen keeps his talking to a minimum.
★ 4.9
Midnight Run
Directed by Martin Brest
1988
De Niro is funnier here than in any comedy he tried to be funny in: a bounty hunter has to move an embezzling accountant coast to coast, and the accountant never stops talking.
★ 4.9
Dr. No
Directed by Terence Young
1962
The Bond series begins here on a million dollars: Sean Connery walks into a casino and says the name, Ursula Andress comes out of the Caribbean, and nobody had met anyone like him.
★ 4.9
First Blood
Directed by Ted Kotcheff
1982
Before the sequels turned him into a cartoon, Rambo was a homeless veteran the police would not leave alone: Ted Kotcheff shot the Pacific Northwest cold and wet, and Stallone barely speaks.
★ 4.7
Beverly Hills Cop
Directed by Martin Brest
1984
Sylvester Stallone rewrote the script into an action picture, then quit two weeks before shooting: Eddie Murphy came in days later, and nobody escaped that synthesizer theme for years.
★ 4.6
Escape from New York
Directed by John Carpenter
1981
John Carpenter turned Manhattan into a prison on a shoestring and it still looks right: Kurt Russell plays a convict given twenty-two hours to retrieve the president, and enjoys none of it.
★ 4.6