
Some Like it Hot
American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.

American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.

It helped launch the screwball comedy and left fingerprints on every romance that followed: a runaway heiress, a broke reporter, a night bus, and a blanket hung between two beds.

Nobody talks faster than this: Hawks overlapped every line until the dialogue becomes a physical event, and it did badly enough that exhibitors called Hepburn box office poison.

Hawks made the reporter a woman and the ex-husband her editor, then had them talk over each other so fast the film runs at over two hundred words a minute.

Katharine Hepburn was labeled box-office poison and controlled the rights to her comeback vehicle: she picked the director and approved the cast, then let Cary Grant and James Stewart crash her wedding.

John Hughes wrote it in three days: two men try to get home for Thanksgiving, and John Candy turns what starts as a comic irritant into the most devastating performance of his career.

The Zucker team moved their television cop parody to the big screen and improved it: Leslie Nielsen anchors a squad room where three more gags are running behind every line.

Bill Murray improvised nearly all of his part and the gopher was added after shooting finished: a country club comedy with no functioning plot and absolutely no need for one.

Cary Grant became Cary Grant in this film: Leo McCarey threw out the script daily and improvised on set, and a divorcing couple sabotage each other's new engagements out of pure spite.

Steve Martin's first starring role opens with him claiming to have been born a poor black child, and never stops that far from the line: pure stupidity performed with total commitment.

Frank Capra and Gary Cooper at the height of the New Deal: a tuba-playing greeting card poet inherits twenty million dollars and finds out what New York wants from him.