
North Dallas Forty
The NFL refused all cooperation and players said it was the only accurate football film ever made: Nick Nolte plays a receiver held together by painkillers and stubbornness for one more season.

The NFL refused all cooperation and players said it was the only accurate football film ever made: Nick Nolte plays a receiver held together by painkillers and stubbornness for one more season.

The Vangelis theme is so famous that people forget the film underneath is about religion: two runners at the 1924 Olympics, one running for God and one against English antisemitism.

The 1919 World Series fix filmed as a labor dispute rather than a scandal: John Sayles shows eight underpaid White Sox taking money from gamblers, and an owner who pays them nothing.

They cast hockey players and taught them to act rather than the reverse: Kurt Russell plays Herb Brooks skating his young Olympic squad into the ground before Lake Placid in 1980.

Notre Dame had not allowed a film crew on campus in fifty years: a kid with no size and no grades wants to dress for one game, and everybody tells him no.

Spike Lee scored a basketball film with Aaron Copland and cast an NBA guard in the lead: a father is released from prison for a week to talk his son into a school.

James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.

Denzel Washington coaches the first integrated team at a Virginia high school in 1971: the history is tidied up considerably, and it still gets a room every single time.

Randy Newman's fanfare is the sound of American sport: Robert Redford plays a player who arrives too old and too late, and the film treats baseball as an outright myth.

Indiana still argues about how close it is to what actually happened in 1954: Gene Hackman coaches a town of a few hundred people who care about nothing else at all.

Ron Howard made the best racing film by making it about two men who need each other: James Hunt and Niki Lauda in 1976, and the engines were recorded from the actual cars.

Cameron Crowe wrote a sports movie that is really about whether you can do a job decently: three catchphrases entered the language, and Tom Cruise has never been more likable.

They built the field on an Iowa farm and people still drive to see it: a man plows under his corn because a voice tells him to, and the last reel gets everyone.

Christian Bale plays the older brother who threw away his own career and cannot stop coaching: Lowell, Massachusetts shot from inside the family, which is the hardest opponent in it.

High-school football is the surface; the subject is a town with nothing else: Odessa, Texas in 1988, filmed handheld and close, where a losing season is a civic emergency.

Mickey Rourke had been out of serious work for fifteen years and walked straight back into this: a broken-down wrestler working autograph shows in New Jersey, filmed like a documentary from behind.

A film about a spreadsheet that plays like a thriller: Sorkin and Zaillian turn Billy Beane's 2002 Oakland roster into an argument between a broke general manager and every scout in his building.

Stallone wrote it himself and would not sell the script unless he could star: a club fighter from Philadelphia is handed a title shot as a publicity stunt, and takes it completely seriously.

Eastwood spends an hour making you love a boxing underdog story and then does something else entirely: nothing in American film is tougher than where it ends up.

Nobody has filmed a game better: Newman's pool hustler wants to be great and cannot get out of his own way, and the smoke never leaves the room.