
Rome Open City
Directed by Roberto Rossellini
1945 · Italy
Rossellini shot it in the streets months after the Germans pulled out, on mismatched surplus stock scrounged from an army supplier: this is where Italian neorealism arrives.
★ 7.2

Rossellini shot it in the streets months after the Germans pulled out, on mismatched surplus stock scrounged from an army supplier: this is where Italian neorealism arrives.

It took the very first competitive foreign language Academy Award, and Giulietta Masina is the reason: her face does more with one shrug than most performances manage in full.