
Reversal of Fortune
Jeremy Irons plays Claus von Bulow as completely unreadable and was rewarded for it: the film is narrated by his wife from the coma she never woke from, and takes no position.

Jeremy Irons plays Claus von Bulow as completely unreadable and was rewarded for it: the film is narrated by his wife from the coma she never woke from, and takes no position.

Stanley Kramer put real concentration camp footage into a Hollywood film in 1961 and made audiences sit with it: the trial is of judges, which makes the question about everybody.

The first major studio film to take AIDS seriously, aimed squarely at people who had not: a lawyer sues the firm that fired him, and Bruce Springsteen wrote the opening song.

Meryl Streep rewrote her own courtroom speech because she thought the script had the mother wrong: a custody fight filmed at kitchen-table level, where the child is the only honest party.

The closing credits ask the audience not to reveal the ending, and audiences mostly obeyed: Wilder turns an Agatha Christie courtroom into a comedy about a barrister who is supposed to be resting.

The Army-McCarthy hearings lawyer Joseph Welch plays the judge and Duke Ellington wrote the score: a murder trial turning on an alleged rape, argued in language so frank that 1959 audiences were shocked.

Gregory Peck gave America the father it wanted to believe in: a small-town lawyer defends a Black man in a case the town has already decided, seen through his daughter's eyes.

Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.