
On Her Majesty's Secret Service
George Lazenby played Bond once and quit, and it took decades for anyone to admit how good this is: the ski chases are the best in the series, and Diana Rigg is extraordinary.

George Lazenby played Bond once and quit, and it took decades for anyone to admit how good this is: the ski chases are the best in the series, and Diana Rigg is extraordinary.

The ski jump off the cliff opening a parachute painted like a Union Jack is the single best Bond stunt: Roger Moore's finest hour, with Jaws and an underwater Lotus.

The Bond film that leans on people rather than hardware: Terence Young works a courier scheme through Istanbul and the Orient Express, and stages a train compartment fight in near silence.

The Bond series begins here on a million dollars: Sean Connery walks into a casino and says the name, Ursula Andress comes out of the Caribbean, and nobody had met anyone like him.

Everything the Bond series still does was fixed here: the Aston Martin, the title song belted over the opening credits, the death trap the villain explains, and a henchman with a signature weapon.

Roger Deakins photographed a James Bond film and the series has never looked the same: the Shanghai fight plays out in silhouette against neon, and the plot finally asks what Bond is for.

It stripped Bond back to a man who bleeds: the parkour chase in the opening twenty minutes told audiences immediately that the gadgets and the winking were gone.