
Harvey
James Stewart played it on Broadway and returned to the part for decades: an unfailingly pleasant man insists his closest friend is a six-foot-three invisible rabbit, and his family wants him committed.

James Stewart played it on Broadway and returned to the part for decades: an unfailingly pleasant man insists his closest friend is a six-foot-three invisible rabbit, and his family wants him committed.

Penny Marshall became the first woman to direct a film that made a hundred million dollars: Tom Hanks plays a thirteen-year-old in an adult body and never once winks at the audience.

Robin Williams improvised for hours and the animators drew to whatever he gave them: the Genie is still the fastest thing in any Disney film, and every animated star cast since owes him.

Animation has never conveyed the physical sensation of flight this well: Roger Deakins consulted on the lighting, and a Viking boy who cannot fight befriends the creature he was raised to kill.

Pixar scrapped the whole film and rebuilt it in nine months, and it came out better than expected: the song about being outgrown is what people remember.

Pixar took a third film in a series somewhere nobody expected it to go: the toys end up far from a toy box, and the last act is genuinely harrowing.

First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.