
Cinderella Man
James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.

James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.

Christian Bale plays the older brother who threw away his own career and cannot stop coaching: Lowell, Massachusetts shot from inside the family, which is the hardest opponent in it.

Leon Gast shot the footage in 1974 and could not finish the film for twenty-two years: Ali in Kinshasa, talking constantly, in the weeks before the biggest fight of his life.

Stallone wrote it himself and would not sell the script unless he could star: a club fighter from Philadelphia is handed a title shot as a publicity stunt, and takes it completely seriously.

Eastwood spends an hour making you love a boxing underdog story and then does something else entirely: nothing in American film is tougher than where it ends up.

Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.