
good kid, m.A.A.d city
Subtitled a short film, and the story runs in order across one day. The interludes are voicemails from his parents asking where the van is.

Subtitled a short film, and the story runs in order across one day. The interludes are voicemails from his parents asking where the van is.

Days before it came out, Ocean published an open letter about falling in love with a man, and then let the record speak.

They put the drum machines away and hired session players who had made the records they grew up on. Giorgio Moroder narrates his own life.

Swift named the record for the year she was born and dropped country entirely, writing straight synth-pop for the first time.

Every song is named after a place, and some of the places do not exist. The cabin has been replaced by horns and pedal steel.

Adam Granduciel spent two years and a dozen studios on it, mostly rerecording parts he had already finished, in the grip of severe anxiety.

They gave it away free online, as they had the first one, and Killer Mike's verse about being stopped by police arrived weeks before Ferguson.

They recorded much of it in hotel suites around the world to stop it leaking, and the gold sleeve was designed by a Givenchy designer.

Singer Robin Pecknold scrapped a finished version and started over. The title song is about not wanting to be anyone special.

Recorded in a converted church in upstate New York, and built almost entirely from an organ, a drum machine and a slide guitar.

Win Butler and his brother grew up outside Houston, and the record is built around driving through places like it as teenagers.

Two sets of brothers make up the band around the singer, and his brother filmed a documentary about following them on tour.

Bradford Cox, the singer, wrote the last song for a friend who had just died, and it ends by simply stopping partway through.

Beck's father wrote the string arrangements, as he had on Sea Change. It won Album of the Year and Kanye West objected onstage.

Lorde was sixteen, recording after school in an Auckland studio, and the tracks are built from almost nothing but voice, bass and finger snaps.

The Black Keys took two people and a lot of noise to Muscle Shoals, and came out with the record that filled the arenas.

They recorded part of it in Jamaica with James Murphy of LCD Soundsystem producing, and David Bowie sings on the title track.

He put it out himself with no label, about the generation born under Reagan, a year before anyone outside Los Angeles knew his name.

They threw away a year's work and began again. All four of them write, which is why nothing quite resolves the way you expect.

Drake had been a teenage actor on a Canadian school drama, and made a record that raps and sings without marking where one stops.

Mark Kozelek uses real names throughout, and the deaths in it are real deaths in his family. Almost nothing is dressed up as metaphor.

Rostam Batmanglij pitched the vocals up and down until they sound like other people, which is why the record keeps slipping out of focus.