The Death of Marat
1793 · Musees Royaux des Beaux-Arts de Belgique, Brussels
David was Marat's friend and political ally, and he laid the murdered man out in his bath with the gravity of a religious lamentation.
★ 9.0
Browse by time · century
18th century
1701 – 1800
Showing 32 artworks from the 18th century
Red and White Plum Blossoms
1715 · MOA Museum of Art, Atami
A stylized river runs down the gold between two plum trees, one young and white, the other old and red, leaning toward each other.
★ 8.8
The Oath of the Horatii
1785 · Louvre, Paris
Three brothers salute the swords their father holds up while the women of the house collapse at the right, four years before the Revolution.
★ 8.7
The Embarkation for Cythera
1717 · Louvre, Paris
Couples linger on the shore of Venus's island at dusk, unwilling to board. Watteau gave it to the Academy, which invented a genre to fit it.
★ 8.3
Otani Oniji III as Yakko Edobei
1794 · Metropolitan Museum of Art, New York City
Sharaku made about 140 actor prints in ten months and then vanished so completely that people still argue about who he was.
★ 7.9
Psyche Revived by Cupid's Kiss
1793 · Louvre, Paris
Cupid's wings stay up as the two bodies cross in a weightless X, cut so smooth the marble stops reading as stone.
★ 7.9
The Nightmare
1781 · Detroit Institute of Arts, Detroit
An incubus squats on a sleeping woman's chest while a wild-eyed horse pushes through the curtains. It made Fuseli famous immediately.
★ 7.8
Three Beauties of the Present Day
1793 · Museum of Fine Arts (Boston), Boston
Three famous women of 1790s Edo on mica ground, their faces nearly identical, so you have to read them from the tilt of an eye.
★ 7.8
The Nude Maja
1800 · El Prado, Madrid
Not a goddess but a real woman looking straight back, which is why the Inquisition took an interest. Goya painted a clothed version too.
★ 7.6
Pierrot, Formerly Known as Gilles
1719 · Louvre, Paris
A clown in white satin stands alone at full length with his arms hanging useless, given the scale of a grand portrait.
★ 7.6
The Swing
1767 · Wallace Collection, London
An old man works the ropes without knowing the young man in the bushes is looking straight up her skirts. A slipper flies off.
★ 7.6
The Death of Socrates
1787 · Metropolitan Museum of Art, New York City
Socrates reaches for the hemlock without looking at it, still arguing with his other hand while his students fall apart around him.
★ 7.4
Clearing after Rain on Mount Inwang (Inwangjesaekdo)
1751 · National Museum of Korea, Seoul
Instead of copying idealized Chinese scenery, Jeong Seon walked out and painted a real hill above Seoul with the rain just lifting off it.
★ 7.3
Charles IV of Spain and His Family
1800 · El Prado, Madrid
Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.
★ 7.2
Louis XIV
1701 · Louvre, Paris
At sixty-three the king still turns out one leg to show the dancer's calf he was proud of, under a cascade of ermine and fleurs-de-lis.
★ 7.2
Watson and the Shark
1778 · Detroit Institute of Arts, Detroit
Brook Watson really did lose a leg to a shark in Havana harbor, and Copley put a Black sailor at the top of the rescue.
★ 7.2
The Ancient of Days
1794 · Whitworth Art Gallery, Manchester, England
Blake's Urizen leans out of the sun with a golden compass to measure the void, and Blake was not sure whether to admire him.
★ 7.2
Paul Revere
1768 · Museum of Fine Arts (Boston), Boston
Copley painted the silversmith in his shirtsleeves at the bench with a teapot in his hand, which was not how gentlemen were usually shown.
★ 7.1
The Intervention of the Sabine Women
1799 · Louvre, Paris
Hersilia throws herself between the two armies with her arms out. David painted it after the Terror, arguing for reconciliation instead of oaths.
★ 7.1
A Young Girl Reading
1776 · National Gallery of Art, Washington, District of Columbia
For once Fragonard is not being naughty. A girl in yellow reads, and the ruff at her wrist is a few flicks of impasto.
★ 6.9
The Clothed Maja
1800 · El Prado, Madrid
The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.
★ 6.9
Mezzetin
1720 · Metropolitan Museum of Art, New York City
He sings up at a window and nobody comes, while behind him a stone statue has its back turned.
★ 6.8
The Interior of the Pantheon
1734 · National Gallery of Art, Washington, District of Columbia
Light drops through the oculus onto the coffered dome while tourists stand about looking small. Painted for Grand Tourists to take home.
★ 6.3
Mademoiselle O'Murphy
1751 · Wallraf-Richartz-Museum, Cologne
Louise O'Murphy was a teenage favorite of Louis XV, and Boucher painted her face-down across the cushions for private consumption.
★ 6.1
The Road to Calvary (Tiepolo)
1740 · Sant'Alvise, Venice
Even the Passion gets Tiepolo's airy color and snapping banners, the whole shoving procession swept upward toward Golgotha as theater.
★ 6.1
The Meeting
1772 · The Frick Collection, New York City
He is coming over the garden wall and she has just seen him, with a statue of Venus watching from above. Painted for Madame du Barry.
★ 6.1
The Artist Moved to Despair at the Grandeur of Antique Fragments
1779 · Kunsthaus Zurich, Zurich
An artist weeps beside a colossal marble foot and a pointing hand, defeated by the size of what antiquity had already managed.
★ 6.1
The Shipwreck
1772 · National Gallery of Art, Washington, District of Columbia
Masts splintering, survivors in the surf, and the whole thing arranged for people who wanted to feel terror from a safe distance.
★ 5.7
The Birth and Triumph of Venus
1740 · Nationalmuseum, Stockholm
Venus in a pearly sea with nymphs, tritons and putti all around, made entirely to delight and not at all to instruct.
★ 5.2
George Washington at Princeton
1779 · Princeton University Art Museum, Princeton
Washington leans on a cannon with captured flags at his feet. Peale knew him and served in the war, so this is the man.
★ 5.2
The Old Plantation
1795 · Abby Aldrich Rockefeller Folk Art Museum, Williamsburg
Enslaved people dancing and making music beside their cabins, with African instruments and dress. Attributed to a South Carolina slaveholder.
★ 4.3
The Guitarist
1755 · Musee d'Arts Nantes, Nantes
A young man glances up from his guitar mid-song. Greuze usually painted tearful moral lessons, and here he simply does not.
★ 4.2