The Garden of Earthly Delights
1505 · El Prado, Madrid
Three panels run from Eden to hell, with a whole naked humanity climbing into giant fruit in between. Nobody has settled what it means.
★ 10.0
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16th century
1501 – 1600
Showing 123 artworks from the 16th century
Mona Lisa
1504 · Louvre, Paris
She was probably Lisa Gherardini, a merchant's wife, and Leonardo kept reworking her for years and never handed the portrait over.
★ 9.9
Creation of Adam
1512 · Vatican Museums, Rome
God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.
★ 9.7
David
1504 · Galleria dell'Accademia (Florence), Florence
The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.
★ 9.6
The School of Athens
1511 · Vatican Museums, Rome
Plato and Aristotle argue at the center of a hall where Raphael gave the philosophers the faces of Leonardo, Michelangelo and Bramante.
★ 9.5
Hunters in the Snow
1565 · Kunsthistorisches Museum, Vienna
Three hunters come home over the hill with one thin catch while villagers skate below. Bruegel painted it for a series on the months.
★ 9.4
Isenheim Altarpiece
1516 · Unterlinden Museum, Colmar
Christ's body hangs green and pocked with sores, painted for a hospital whose patients saw their own ravaged flesh.
★ 9.3
Pine Trees (Shorin-zu byobu)
1595 · Tokyo National Museum, Tokyo
A few pines loom and dissolve on two screens where the bare paper does the work of mist. Japan's finest ink painting, by most accounts.
★ 9.1
The Calling of St. Matthew
1600 · San Luigi dei Francsei, Rome
Light follows Christ's pointing hand across a dim counting-room to Matthew, who gestures at himself in disbelief. The picture made Caravaggio famous overnight.
★ 9.0
The Court of Gayumars
1525 · Aga Khan Museum, Toronto
Hundreds of tiny faces hide in the swirling rocks around Persia's first king, painted for a royal copy of the Shahnama made for Shah Tahmasp.
★ 9.0
Bacchus and Ariadne
1523 · National Gallery, London
Bacchus leaps from his chariot toward Ariadne while Theseus's ship slips off the horizon, painted for a duke's private chamber in Ferrara.
★ 8.9
The Last Judgment (Michelangelo)
1541 · Vatican Museums, Rome
Bartholomew holds his own flayed skin, and the sagging face on it is Michelangelo's. The nudes offended enough critics that drapery was added later.
★ 8.9
The Burial of the Count of Orgaz
1586 · Church of Santo Tome, Toledo, Ohio
Two saints lower a nobleman into his grave while his soul slips through a tear in the sky. The mourners are El Greco's own neighbors.
★ 8.7
Sistine Madonna
1512 · Gemaldegalerie Alte Meister, Dresden
Two bored cherubs lean on the frame at the bottom, and they floated free of the altarpiece long ago onto everything else.
★ 8.7
Venus of Urbino
1538 · Uffizi Gallery, Florence
Titian woke Giorgione's sleeping Venus, brought her indoors, and had her look straight at us, probably to mark a wedding in Urbino.
★ 8.7
Melencolia I
1514 · Metropolitan Museum of Art, New York
A winged figure sits with her compass idle among abandoned tools, and no print in history has drawn more scholarly argument.
★ 8.6
The Tempest
1508 · Gallerie dell'Accademia, Venice
A soldier, a nursing woman, and lightning over the town beyond. Nobody has explained what connects them, and Giorgione died young leaving few certain works.
★ 8.6
The Ambassadors
1533 · National Gallery, London
Two men pose with globes, sundials and a lute with a broken string, and a smear on the floor turns into a skull from the side.
★ 8.5
The Transfiguration
1520 · Vatican Museums, Rome
Raphael left it unfinished when he died in 1520, and it was hung above his body while he lay in state.
★ 8.4
The Assumption of the Virgin
1518 · Santa Maria Gloriosa dei Frari, Venice
Titian was barely thirty when Venice saw this go up over the Frari altar, the Virgin swept into a storm of red and blue.
★ 8.4
The Ardabil Carpet
1540 · Victoria and Albert Museum, London
Over ten meters long and tied from perhaps twenty-six million knots, woven for a shrine and inscribed with a longing line of Hafiz.
★ 8.2
The Wedding at Cana (Veronese)
1563 · Louvre, Paris
A hundred and thirty guests feast while Christ works his first miracle almost unnoticed at the table. Napoleon's troops took it to Paris in 1797.
★ 8.2
The Sun Stone (Aztec Calendar Stone)
Artist unknown
1512 · Museo Nacional de Antropologia, Mexico City
Four meters of basalt buried after the conquest and dug up in Mexico City in 1790. Despite the nickname it is not a working calendar.
★ 8.1
The Battle of Alexander at Issus
1529 · Alte Pinakothek, Munich
Tens of thousands of tiny soldiers fight under a sky that curves like the whole earth. Painted while the Ottomans were pressing on Vienna.
★ 8.1
Cypress Trees
1590 · Tokyo National Museum, Tokyo
One ancient cypress sprawls across the screen against solid gold, painted by the man who decorated the castles of Nobunaga and Hideyoshi.
★ 8.0
Moses
1515 · San Pietro in Vincoli, Rome
The horns come from an old mistranslation of the Hebrew for rays of light. He was meant as one figure among many on a papal tomb.
★ 8.0
The Triumph of Death
1562 · El Prado, Madrid
Skeletons herd the living into a coffin-trap while a king clutches his gold and two lovers play music at the corner, not yet looking up.
★ 8.0
The Deposition from the Cross
1528 · Santa Felicita, Florence
No cross, no ground, no sky, just a spiral of mourners in acid pink and sea-green. Florentine Mannerism starts here.
★ 8.0
Queen Mother Pendant Mask (Iyoba)
Artist unknown
1520 · British Museum, London
The oba wore it at his hip, its crown made of tiny Portuguese heads. A British expedition looted it from Benin in 1897.
★ 7.9
The Crucifixion of Christ
1565 · Scuola Grande di San Rocco, Venice
Twelve meters of wall where the whole business of execution goes on at once, one thief still being hauled upright at the side.
★ 7.8
The Virgin and Child with St Anne
1513 · Louvre, Paris
Three generations nest into one shifting pyramid, and Leonardo kept reworking it for years without ever calling it finished.
★ 7.8
The Fall of Man
1510 · Vatican Museums, Rome
Two moments in one field: Adam and Eve reaching for the fruit, then driven out, suddenly old. The serpent has a woman's torso.
★ 7.8
Madonna with the Long Neck
1540 · Uffizi Gallery, Florence
Every proportion is wrong on purpose, and a single outsized column rises behind for no reason. Parmigianino died before finishing it.
★ 7.8
The Harvesters
1565 · Metropolitan Museum of Art, New York City
One man lies flat on his back with his mouth open while the others cut wheat. Late summer, from the same series of months.
★ 7.7
Venus, Cupid, Folly, and Time
1545 · National Gallery, London
A girl with a reptile's body offers a honeycomb and Time pulls back a curtain. The cold puzzle was probably a gift for the French king.
★ 7.6
The Last Supper (Tintoretto)
1594 · Basilica di San Giorgio Maggiore, Venice
The table runs off on a steep diagonal into a smoky hall where servants clear plates and the lamp smoke thickens into angels.
★ 7.6
The Tower of Babel
1563 · Kunsthistorisches Museum, Vienna
The tower is already leaning as it goes up, and Bruegel drew the cranes and ramps in enough detail that you could nearly build it.
★ 7.5
The Peasant Wedding
1568 · Kunsthistorisches Museum, Vienna
Two men carry the porridge in on an unhinged door, the bagpiper eyes it hungrily, and the bride sits idle under her paper crown.
★ 7.5
Sacred and Profane Love
1514 · Galleria Borghese, Rome
Two women sit at either end of a sarcophagus full of water, and it is the naked one who stands for sacred love.
★ 7.5
Portrait of Doge Leonardo Loredan
1504 · National Gallery, London
Bellini painted the brocade thread by thread and turned the official portrait from a profile on a coin into a man met face to face.
★ 7.4
The Body of the Dead Christ in the Tomb
1521 · Kunstmuseum, Basel
A corpse in a box barely wider than itself, with no hint of resurrection. Dostoevsky saw it in Basel and said it could destroy faith.
★ 7.4
Portrait of Erasmus of Rotterdam
1523 · National Gallery, London
Erasmus rests his hands on a book whose edge is inscribed The Labors of Hercules, his own joke about how much scholarship costs.
★ 7.4
Madonna of the Rocks 2
1505 · National Gallery, London
The second version, painted to settle a long quarrel with the confraternity. Everyone now has a halo and the angel has stopped pointing.
★ 7.4
Young Hare
1502 · Albertina, Vienna
Every whisker set down separately, and in the dark eye a studio window is reflected. Dürer signed an animal study as a finished work.
★ 7.3
The Four Apostles
1526 · Alte Pinakothek, Munich
Dürer gave the panels to the Nuremberg council with Luther's words inscribed below, warning the city's rulers against false prophets. His last great work.
★ 7.3
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
Medusa
1597 · Uffizi Gallery, Florence
Painted on a convex parade shield, so the head bulges toward you at the exact instant of the scream. A showpiece gift for the Medici.
★ 7.3
Basket of Fruit
1599 · Biblioteca Ambrosiana, Milan, Italy
The leaves are curling and worm-eaten and the fig has burst. Caravaggio painted the rot as carefully as the ripeness and called it enough.
★ 7.3
The Temptation of Saint Anthony (Bosch)
1505 · Museu Nacional de Arte Antiga, Lisbon
Flying fish, reading toads and a burning village, and in the middle of it Anthony kneels and blesses a small Christ, entirely undistracted.
★ 7.2
Portrait of Desiderius Erasmus
1523 · Louvre, Paris
Erasmus is caught mid-sentence with the pen still moving. He sent portraits like this across Europe as a kind of intellectual calling card.
★ 7.2
The Triumph of Galetea
1511 · Villa Farnesina, Rome
Asked where he found so beautiful a model, Raphael said he worked instead from a certain idea of beauty he carried in his head.
★ 7.2
Madonna of the Harpies
1517 · Uffizi Gallery, Florence
The little demons carved on the pedestal were taken for harpies and gave the picture its name. Del Sarto was called the faultless painter.
★ 7.1
Portrait of Sir Thomas More
1527 · The Frick Collection, New York City
Holbein arrived in England on a letter from Erasmus and painted More at the height of his power. Within a few years More was executed.
★ 7.1
Nativity
1530 · Gemaldegalerie Alte Meister, Dresden
All the light in the picture comes off the newborn child, and one shepherd throws up a hand against the glare.
★ 7.1
Landscape with the Fall of Icarus
1555 · Musees Royaux des Beaux-Arts de Belgique, Brussels
Two pale legs disappear into the sea in the corner while the ploughman keeps ploughing. Auden wrote a poem about exactly that indifference.
★ 7.1
Netherlandish Proverbs
1559 · Gemaldegalerie, Berlin
A man bangs his head on a brick wall, another casts roses before swine, and over a hundred proverbs are acted out literally in one village.
★ 7.1
Venus and Adonis
1553 · El Prado, Madrid
Venus twists round to hold him back and he pulls away toward the hunt that will kill him. Cupid sleeps in the shade, useless.
★ 7.0
The Blind Leading the Blind
1568 · Museo di Capodimonte, Naples
Six blind men go down one after another, and Bruegel painted their clouded eyes accurately enough for doctors to diagnose the conditions.
★ 7.0
The Raising of Lazarus
1519 · National Gallery, London
Lazarus heaves upright still wrapped in his shroud while the crowd recoils from the smell. Michelangelo supplied drawings to help beat Raphael.
★ 6.9
The Deposition (Michelangelo)
1553 · Museo dell'Opera del Duomo (Florence), Florence
Michelangelo carved it for his own tomb, gave Nicodemus his own face, then took a hammer to it and broke off Christ's leg.
★ 6.9