
Maesta (Cimabue)
Six angels stack up the sides of the throne against gold. Cimabue taught Giotto, and the throne here is just beginning to recede into space.

Six angels stack up the sides of the throne against gold. Cimabue taught Giotto, and the throne here is just beginning to recede into space.

Four and a half meters tall, the largest panel painted in its century, with six angels kneeling to steady a throne that seems to float.

The Arno flood of 1966 stripped most of the paint off it, and the ruined cross became the emblem of the whole disaster.

Christ reaches up to push his mother's veil aside. Scorch marks on the original frame record centuries of candles set before it.

Four prophets peer from arches under the throne holding scrolls that foretell the Virgin Birth, and the throne is angled to suggest depth.

Golden rays come off a winged crucified figure in the sky and strike Francis in the hands, feet and side. Giotto signed this one.

Two trees, a strip of ground, and a flock that stays to listen. Giotto tells the miracle as though it simply happened.

The same story at miniature scale, squeezed into a predella panel, and Giotto loses none of the plainness that made it convincing.

No bigger than a page, and one of very few works securely given to Cimabue, whom Dante named the best painter of his day.