
Ecstasy of Saint Teresa
Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.

Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.

Three angels bend into a closed circle around a single cup. In 2024 the icon left the Tretyakov for a monastery, over conservators' objections.

A winged figure sits with her compass idle among abandoned tools, and no print in history has drawn more scholarly argument.

A shepherd twists onto his back and throws up a hand against the glare. One of the first real night scenes in Western art.

The lyrical Bosch, all calm light and wide landscape, except for the small insect-demon with a human face tending a fire in the corner.

Six angels lean in along the throne with their heads tilted, which turns a rigid Byzantine formula into something nearly intimate.

Five have kept their lamps lit and five have not, and the ones who have not are pleading. An avenging angel waits above.