
Creation of Adam
God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.

God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.

Plato and Aristotle argue at the center of a hall where Raphael gave the philosophers the faces of Leonardo, Michelangelo and Bramante.

The dead Christ lies across his mother's lap. Michelangelo was twenty-four, and signed the sash after hearing it credited to someone else.

Bartholomew holds his own flayed skin, and the sagging face on it is Michelangelo's. The nudes offended enough critics that drapery was added later.

Pliny ranked it above every other work of art, and when it came out of a Roman vineyard in 1506 Michelangelo hurried over to look.

Raphael left it unfinished when he died in 1520, and it was hung above his body while he lay in state.

The corner of the stone slab juts out of the picture so the body looks about to be laid down in the room with you.

Two moments in one field: Adam and Eve reaching for the fruit, then driven out, suddenly old. The serpent has a woman's torso.