Primavera
1482 · Uffizi Gallery, Florence
Venus stands in an orange grove while the Graces dance and spring arrives at her right. The meadow holds hundreds of identifiable plants.
★ 9.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Last Supper (da Vinci)
1495 · Santa Maria delle Grazie, Milan, Italy
Christ has just said one of them will betray him, and the shock rolls down the table. Leonardo's experimental paint began flaking in his lifetime.
★ 9.7
The Birth of Venus
1486 · Uffizi Gallery, Florence
Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.
★ 9.7
Creation of Adam
1512 · Vatican Museums, Rome
God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.
★ 9.7
David
1504 · Galleria dell'Accademia (Florence), Florence
The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.
★ 9.6
The School of Athens
1511 · Vatican Museums, Rome
Plato and Aristotle argue at the center of a hall where Raphael gave the philosophers the faces of Leonardo, Michelangelo and Bramante.
★ 9.5
Ecstasy of Saint Teresa
1652 · Church of Santa Maria della Vittoria, Rome
Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.
★ 9.4
Pieta (Michelangelo)
1499 · Vatican Museums, Rome
The dead Christ lies across his mother's lap. Michelangelo was twenty-four, and signed the sash after hearing it credited to someone else.
★ 9.3
Apollo and Daphne
1624 · Galleria Borghese, Rome
Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.
★ 9.1
The Calling of St. Matthew
1600 · San Luigi dei Francsei, Rome
Light follows Christ's pointing hand across a dim counting-room to Matthew, who gestures at himself in disbelief. The picture made Caravaggio famous overnight.
★ 9.0
The Holy Trinity
1427 · Santa Maria Novella, Florence
The earliest surviving painting built on a single vanishing point, worked out on a wall of Santa Maria Novella with Brunelleschi's help.
★ 9.0
David
1440 · Museo Nazionale del Bargello, Florence
A naked boy in boots and a laurel hat rests one foot on Goliath's head, the first freestanding bronze nude since antiquity.
★ 8.9
The Last Judgment (Michelangelo)
1541 · Vatican Museums, Rome
Bartholomew holds his own flayed skin, and the sagging face on it is Michelangelo's. The nudes offended enough critics that drapery was added later.
★ 8.9
Judith Slaying Holofernes
1620 · Uffizi Gallery, Florence
Judith and her maid hold Holofernes down together and work the blade through his throat. Artemisia painted it a decade after her rape trial.
★ 8.8
Portrait of Pope Innocent X
1650 · Galleria Doria Pamphilj, Rome
Velázquez caught every wary line in the pope's face, and Innocent reportedly said it was troppo vero, too true. Francis Bacon reworked it for years.
★ 8.8
Maesta (Duccio)
1311 · Museo dell'Opera del Duomo (Siena), Siena
When Duccio finished it in 1311 the whole of Siena walked it to the cathedral in procession, with the bells going the entire way.
★ 8.8
Vitruvian Man
1492 · Gallerie dell'Accademia, Venice
Leonardo fixed Vitruvius's old problem by moving the centers, so that the navel governs the circle and the groin governs the square.
★ 8.7
The Tribute Money
1428 · Santa Maria del Carmine, Florence
Three moments run in a single frame: the tax demanded, Peter pulling the coin from a fish, and Peter paying up at the right.
★ 8.7
Venus of Urbino
1538 · Uffizi Gallery, Florence
Titian woke Giorgione's sleeping Venus, brought her indoors, and had her look straight at us, probably to mark a wedding in Urbino.
★ 8.7
Laocoon and His Sons
Artist unknown
Vatican Museums, Rome
Pliny ranked it above every other work of art, and when it came out of a Roman vineyard in 1506 Michelangelo hurried over to look.
★ 8.7