Primavera
1482 · Uffizi Gallery, Florence
Venus stands in an orange grove while the Graces dance and spring arrives at her right. The meadow holds hundreds of identifiable plants.
★ 9.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Birth of Venus
1486 · Uffizi Gallery, Florence
Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.
★ 9.7
David
1504 · Galleria dell'Accademia (Florence), Florence
The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.
★ 9.6
The Holy Trinity
1427 · Santa Maria Novella, Florence
The earliest surviving painting built on a single vanishing point, worked out on a wall of Santa Maria Novella with Brunelleschi's help.
★ 9.0
David
1440 · Museo Nazionale del Bargello, Florence
A naked boy in boots and a laurel hat rests one foot on Goliath's head, the first freestanding bronze nude since antiquity.
★ 8.9
Judith Slaying Holofernes
1620 · Uffizi Gallery, Florence
Judith and her maid hold Holofernes down together and work the blade through his throat. Artemisia painted it a decade after her rape trial.
★ 8.8
The Tribute Money
1428 · Santa Maria del Carmine, Florence
Three moments run in a single frame: the tax demanded, Peter pulling the coin from a fish, and Peter paying up at the right.
★ 8.7
Venus of Urbino
1538 · Uffizi Gallery, Florence
Titian woke Giorgione's sleeping Venus, brought her indoors, and had her look straight at us, probably to mark a wedding in Urbino.
★ 8.7
Gates of Paradise
1452 · Museo dell'Opera del Duomo (Florence), Florence
Ghiberti gave twenty-seven years to these doors, and the name comes from Michelangelo, who is supposed to have said they were fit for paradise.
★ 8.6
Expulsion from the Garden of Eden (Masaccio)
1428 · Santa Maria del Carmine, Florence
Eve throws back her head and howls while Adam hides his face, the bodies heavy and casting real shadows. Michelangelo came to study it.
★ 8.5
The Portinari Altarpiece
1476 · Uffizi Gallery, Florence
Three weathered shepherds crowd in to look at the newborn, and when the triptych reached Florence from Bruges the local painters took note.
★ 8.3
Annunciation (Martini)
1333 · Uffizi Gallery, Florence
Gabriel's greeting runs toward Mary in raised gold letters and she twists away from it, her thumb still caught in her book.
★ 8.2
Annunciation (Fra Angelico, Florence)
1445 · San Marco Museum, Florence
Fra Angelico frescoed it at the top of the dormitory stairs, so the friars met it every time they climbed to their cells.
★ 8.0
Adoration of the Magi
1423 · Uffizi Gallery, Florence
The kings arrive with a retinue of horses, hounds and a leopard, every surface tooled in gold for one of Florence's richest families.
★ 8.0
The Deposition from the Cross
1528 · Santa Felicita, Florence
No cross, no ground, no sky, just a spiral of mourners in acid pink and sea-green. Florentine Mannerism starts here.
★ 8.0
Madonna with the Long Neck
1540 · Uffizi Gallery, Florence
Every proportion is wrong on purpose, and a single outsized column rises behind for no reason. Parmigianino died before finishing it.
★ 7.8
Ognissanti Madonna
1310 · Uffizi Gallery, Florence
Where Cimabue and Duccio floated their Madonnas on gold, Giotto gave his weight, a real throne, and a body that presses through the cloth.
★ 7.6
San Marco Altarpiece (Madonna and Saints)
1443 · San Marco Museum, Florence
The saints share one continuous space instead of separate compartments, and the two kneeling physicians are the name-saints of the Medici who paid.
★ 7.6
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
Medusa
1597 · Uffizi Gallery, Florence
Painted on a convex parade shield, so the head bulges toward you at the exact instant of the scream. A showpiece gift for the Medici.
★ 7.3