
The Descent from the Cross (Rubens at Antwerp)
Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.

Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.

Not the betrayal but the blessing of the bread, staged in a Flemish hall on one of the earliest correct vanishing points in the north.

Rubens had just come back from Italy with Caravaggio's light and Michelangelo's anatomy, and announced himself with this straining diagonal.

All seven sacraments happen at once inside one Gothic church, with the Crucifixion looming over the nave to show where they get their power.

The Virgin is said to be the king's dead mistress, painted with a shaved forehead and one breast bared, ringed by red cherubim.

Antonello carried the Netherlandish oil technique south to Venice, and Giovanni Bellini responded with a Crucifixion almost identical to this one.

Angels dart and grieve around the cross while the Magdalene, hair loose, kneels to embrace its foot. A leaf from a travelling altarpiece.