
A Bar at the Folies-Bergere
Manet worked from a real barmaid named Suzon and put her reflection in the wrong place, which people have been arguing about ever since.

Manet worked from a real barmaid named Suzon and put her reflection in the wrong place, which people have been arguing about ever since.

Manet took the pose from Titian's Venus of Urbino and gave it to a prostitute who looks straight back. The 1865 Salon was scandalized.

A naked woman picnics with two clothed men and looks calmly out at us. The Salon refused it, so it hung with the rejects.

Three people at a green railing all looking different ways and none at each other. Berthe Morisot is the one seated and dreaming.

Manet painted this beside Monet at Argenteuil and let the blue water climb all the way to the top edge of the canvas.

The horses come straight at you instead of across the frame, which nobody painting racehorses had bothered to try.

A woman in a white corset seen from behind, painted so loosely the picture seems to stop just before the image settles.

Manet cut up the original canvas because he was unhappy with it, and this is one of the surviving pieces.