Liberty Leading the People
1830 · Louvre, Paris
Liberty carries the tricolor over the barricade with a boy waving pistols beside her, painted within months of the revolution it shows.
★ 9.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Third of May 1808
1814 · El Prado, Madrid
A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.
★ 9.4
The Fighting Temeraire
1839 · National Gallery, London
A steam tug hauls a Trafalgar warship off to be broken up. Turner refused to sell the picture and left it to the nation.
★ 9.1
Raft of the Medusa
1819 · Louvre, Paris
Survivors of a real shipwreck pile toward a speck of sail on the horizon. Géricault studied corpses and asylum patients before he began.
★ 9.0
The Hay Wain
1821 · National Gallery, London
England ignored it, but the Paris Salon awarded it a gold medal in 1824 and sent Delacroix back to rework his own canvases.
★ 8.9
Wanderer Above the Sea of Fog
1818 · Kunsthalle, Hamburg
A man stands on a summit with his back to us, looking out over fog, so that we end up looking at what he sees.
★ 8.8
Saturn Devouring His Son (Goya)
1823 · El Prado, Madrid
Goya painted this straight onto the wall of his own house in his last bitter years and never meant anyone else to see it.
★ 8.5
The Slave Ship
1840 · Museum of Fine Arts (Boston), Boston
Turner took the Zong case, where a slaver threw its human cargo overboard for the insurance money, and set it under his most beautiful sunset.
★ 8.2
La Grande Odalisque
1814 · Louvre, Paris
Ingres stretched her spine past anything anatomy allows, and critics joked she had three vertebrae too many. He was chasing line, not truth.
★ 8.0
Death of Sardanapalus
1827 · Louvre, Paris
The king watches from his red bed while everything he owns is killed in front of him, on his own orders, before the pyre.
★ 7.8
The Nightmare
1781 · Detroit Institute of Arts, Detroit
An incubus squats on a sleeping woman's chest while a wild-eyed horse pushes through the curtains. It made Fuseli famous immediately.
★ 7.8
The Nude Maja
1800 · El Prado, Madrid
Not a goddess but a real woman looking straight back, which is why the Inquisition took an interest. Goya painted a clothed version too.
★ 7.6
The Women of Algiers
1834 · Louvre, Paris
Delacroix saw a room like this once, on a trip to North Africa, and painted it from memory. Picasso later made fifteen variations on it.
★ 7.2
Washington Crossing the Delaware
1851 · Metropolitan Museum of Art, New York City
Almost every detail is wrong, including the flag and the boat, and Leutze painted it in Germany seventy-five years after the fact.
★ 7.2
Charles IV of Spain and His Family
1800 · El Prado, Madrid
Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.
★ 7.2
Watson and the Shark
1778 · Detroit Institute of Arts, Detroit
Brook Watson really did lose a leg to a shark in Havana harbor, and Copley put a Black sailor at the top of the rescue.
★ 7.2
The Ancient of Days
1794 · Whitworth Art Gallery, Manchester, England
Blake's Urizen leans out of the sun with a golden compass to measure the void, and Blake was not sure whether to admire him.
★ 7.2
Chalk Cliffs on Rugen
1818 · Kunstmuseum Winterthur, Winterthur
Three figures at the lip of a white chalk drop, painted around the time of his marriage, the eye pulled out to sea and straight down.
★ 7.1
The Clothed Maja
1800 · El Prado, Madrid
The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.
★ 6.9
Frederic Chopin
1838 · Louvre, Paris
It was half of a double portrait with George Sand listening at the piano, until somebody cut the canvas in two.
★ 6.8
The Colossus
1812 · El Prado, Madrid
A giant stands with his head in the clouds while everything below scatters. Whether Goya actually painted it is now disputed.
★ 6.8
Dante and Virgil (The Barque of Dante)
1822 · Louvre, Paris
Delacroix's debut, and the damned are biting the hull. Romanticism announced itself with churning water and bodies learned from Rubens.
★ 6.8
Majas on a Balcony
1810 · Metropolitan Museum of Art, New York City
Two women in white smile out from the railing while two men in dark cloaks stand behind them in the shadow, watching.
★ 6.5
The Desperate Man (Self-portrait)
1845 · Private collection
Courbet at twenty-six, lunging at the viewer with both hands in his hair and his eyes wide. Half self-portrait, half performance.
★ 6.5
The Madwoman
1823 · Musee des Beaux Arts Lyon, Lyon
One of a series Géricault painted of asylum patients for a doctor studying obsession, and he gave her the seriousness of a commissioned portrait.
★ 6.5
Modern Rome - Campo Vaccino
1839 · Getty Museum, Los Angeles
The Roman Forum was a cattle pasture when Turner painted it, and he let the columns of empire evaporate into gold air.
★ 6.3
Cologne, the Arrival of a Packet Boat, Evening
1826 · The Frick Collection, New York City
A packet boat comes in at evening and Turner dissolves the city, the passengers and the river into a single sheet of gold.
★ 6.3
The Artist Moved to Despair at the Grandeur of Antique Fragments
1779 · Kunsthaus Zurich, Zurich
An artist weeps beside a colossal marble foot and a pointing hand, defeated by the size of what antiquity had already managed.
★ 6.1
Chichester Canal
1828 · Tate Modern, London
Masts stand black against a sky going from gold to soft blue, and almost nothing else in the picture is solid.
★ 6.1
The Shipwreck
1772 · National Gallery of Art, Washington, District of Columbia
Masts splintering, survivors in the surf, and the whole thing arranged for people who wanted to feel terror from a safe distance.
★ 5.7
The Forge
1820 · The Frick Collection, New York City
Three smiths at a forge, one hammer at the top of its swing. Goya gave laboring men the scale usually kept for gods and kings.
★ 5.7
Expulsion from the Garden of Eden (Cole)
1828 · Museum of Fine Arts (Boston), Boston
Eden on one side of the rock arch, blasted wilderness on the other, and Cole lets the landscape carry the entire moral argument.
★ 5.4
I Am Still Learning
1828 · El Prado, Madrid
An old man on two sticks, with Aun aprendo written underneath. Goya drew it in exile and failing health, near the end.
★ 5.2
The Adoration of the Magi
1813 · Kunsthalle, Hamburg
Overbeck and the Nazarenes lived almost as monks in Rome and painted deliberately like the Italians before Raphael. This is the program.
★ 4.2