
The School of Athens
Plato and Aristotle argue at the center of a hall where Raphael gave the philosophers the faces of Leonardo, Michelangelo and Bramante.

Plato and Aristotle argue at the center of a hall where Raphael gave the philosophers the faces of Leonardo, Michelangelo and Bramante.

Liberty carries the tricolor over the barricade with a boy waving pistols beside her, painted within months of the revolution it shows.

A lantern lights a man in a white shirt throwing his arms wide before the firing squad. Goya painted it six years later.

David was Marat's friend and political ally, and he laid the murdered man out in his bath with the gravity of a religious lamentation.

Survivors of a real shipwreck pile toward a speck of sail on the horizon. Géricault studied corpses and asylum patients before he began.

The Spanish general stops the defeated Dutchman from kneeling and lays a hand on his shoulder. Spaniards still call the picture The Lances.

Three brothers salute the swords their father holds up while the women of the house collapse at the right, four years before the Revolution.

Tens of thousands of tiny soldiers fight under a sky that curves like the whole earth. Painted while the Ottomans were pressing on Vienna.

Seventy meters of wool telling the conquest of England like a strip cartoon. Not a tapestry at all, and probably stitched by English hands.

Socrates reaches for the hemlock without looking at it, still arguing with his other hand while his students fall apart around him.

Almost every detail is wrong, including the flag and the boat, and Leutze painted it in Germany seventy-five years after the fact.

Brook Watson really did lose a leg to a shark in Havana harbor, and Copley put a Black sailor at the top of the rescue.

Napoleon has already crowned himself and is now crowning Josephine, with the pope seated behind him and reduced to a spectator.

Broken lances lie along the receding lines of a perspective grid. Vasari said Uccello sat up all night muttering about how sweet it was.

The central panel of three, with the Florentine commander charging in a gold-and-scarlet hat on a horse turned like a carousel figure.

An angel drops steeply from the corner and its light is the only light in the tent. One of the first true night scenes in painting.

Trumbull knew many of the men and painted their faces from life, which is why this version ended up on the two-dollar bill.

Bodies lie heaped and bound under a kitchen table, in grey. Picasso left it unfinished, painted after the camps were opened.

One vast skeleton pushes through a torn bamboo blind, where the convention had always been crowds of small phantoms. Three sheets wide.

Spartan girls taunt the boys into wrestling, and Degas made the bodies awkward rather than ideal, which is not how history painting was done.

Firpo has just punched Dempsey clean out of the ring and into the laps of the reporters. Bellows painted the exact instant.

The widow grips a red-hot iron bar unharmed to prove her husband was innocent after he had already been beheaded. Painted for a courtroom.

Washington leans on a cannon with captured flags at his feet. Peale knew him and served in the war, so this is the man.

Beckmann painted the disaster a year after it happened, borrowing Géricault's raft, and it now reads as a rehearsal for the war.