
The Last Supper (da Vinci)
Christ has just said one of them will betray him, and the shock rolls down the table. Leonardo's experimental paint began flaking in his lifetime.

Christ has just said one of them will betray him, and the shock rolls down the table. Leonardo's experimental paint began flaking in his lifetime.

Fourteen of Renoir's friends linger over the wreckage of lunch above the Seine, his future wife among them, cooing at a dog on the table.

One disciple grips his chair to stand and the other throws his arms wide, while a fruit basket teeters off the edge toward us.

The table runs off on a steep diagonal into a smoky hall where servants clear plates and the lamp smoke thickens into angels.

Not the betrayal but the blessing of the bread, staged in a Flemish hall on one of the earliest correct vanishing points in the north.

Van Gogh made the faces deliberately coarse and the browns deliberately muddy, wanting it clear that these people had dug the meal themselves.

Rockwell painted it as one of the Four Freedoms Roosevelt named, and it has been parodied more than almost any American picture.

The room is a twelve-sided glass chamber and a torso hovers over the table. Dalí called this sort of thing nuclear mysticism.

A peasant looks up from his beans as though caught, spoon halfway to his mouth. Painted decades before Caravaggio's followers made a career of this.

Painted on a refectory wall so the monks dined at the end of the same table. Leonardo would blow the arrangement apart a few years later.

A family at breakfast, posed so stiffly in the glare that the comfortable room turns faintly airless. Every surface is built from dots.

Every apostle is named in gold and Judas sits apart with a darkened halo, which makes the panel a teaching aid as much as a picture.

Christ stands to place the host on each tongue exactly as a priest does at Mass, in a bare cell-like room with stools.

The light in the darkened room seems to be coming off Christ himself, painted when religious art had largely gone out of fashion.