
The Birth of Venus
Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.

Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.

God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.

The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.

Five nude women stare out with their faces turned into masks, and Picasso kept the canvas rolled up in his studio for years.

Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.

A naked boy in boots and a laurel hat rests one foot on Goliath's head, the first freestanding bronze nude since antiquity.

Manet took the pose from Titian's Venus of Urbino and gave it to a prostitute who looks straight back. The 1865 Salon was scandalized.

A naked woman picnics with two clothed men and looks calmly out at us. The Salon refused it, so it hung with the rejects.

Leonardo fixed Vitruvius's old problem by moving the centers, so that the navel governs the circle and the groin governs the square.

Titian woke Giorgione's sleeping Venus, brought her indoors, and had her look straight at us, probably to mark a wedding in Urbino.

A farmer on Melos dug her up in 1820, already armless, and scholars still argue over whether she held an apple, a mirror, or her drapery.

Pliny ranked it above every other work of art, and when it came out of a Roman vineyard in 1506 Michelangelo hurried over to look.

Five figures wheel in a ring against blue and green, reduced to three colors and the strain of holding hands at speed.

Eve throws back her head and howls while Adam hides his face, the bodies heavy and casting real shadows. Michelangelo came to study it.

Nudes lounge and pipe and dance in a ring in a glade of colors nothing in nature has, a Fauve idyll from 1906.

Cézanne worked on it for years and died before he finished, bending the trees inward so they rhyme with the bodies underneath.

Eleven centimeters of limestone from beside the Danube, once tinted red, with a woven cap covering the whole head and no face at all.

Ingres stretched her spine past anything anatomy allows, and critics joked she had three vertebrae too many. He was chasing line, not truth.

A critic at the 1913 Armory Show called it an explosion in a shingle factory, and the insult followed the painting around America.

The king watches from his red bed while everything he owns is killed in front of him, on his own orders, before the pyre.