Lamentation
1305 · Scrovegni Chapel, Padua
Two mourners sit with their backs turned to pull us in, and the angels overhead double over. Giotto frescoed it in the Arena Chapel at Padua.
★ 8.3
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Flagellation of Christ
1460 · Galleria Nazionale delle Marche, Urbino
Christ is scourged in the middle distance while three men talk in the foreground, indifferent. Nobody has settled who they are or why.
★ 8.2
The Entombment (Caravaggio)
1603 · Vatican Museums, Rome
The corner of the stone slab juts out of the picture so the body looks about to be laid down in the room with you.
★ 7.8
Christ Crucified
1632 · El Prado, Madrid
No crowd, no landscape, nothing but the body against black, with the hair fallen forward to half-cover the face. Made for private prayer.
★ 7.3
White Crucifixion
1938 · Art Institute of Chicago, Chicago
Christ wears a Jewish prayer shawl while a synagogue burns and refugees flee by boat. Chagall painted it in 1938, watching what was coming.
★ 7.2
Yellow Christ
1889 · Albright-Knox Art Gallery, Buffalo
Three Breton women in white caps kneel at a wooden cross in an autumn field, everything flattened into blocks of color like stained glass.
★ 7.2
Altarpiece of the Seven Sacraments
1450 · Royal Museum of Fine Arts, Antwerp
All seven sacraments happen at once inside one Gothic church, with the Crucifixion looming over the nave to show where they get their power.
★ 7.0
Crucifix
1288 · Basilica di Santa Croce, Florence
The Arno flood of 1966 stripped most of the paint off it, and the ruined cross became the emblem of the whole disaster.
★ 6.8
Christ Carrying the Cross (Bosch)
1516 · Museum voor Schone Kunsten (Ghent), Ghent
A crush of leering faces fills every inch, and Christ moves through the middle of it with his eyes shut.
★ 6.8
The Crucifixion
1311 · Museo dell'Opera del Duomo (Siena), Siena
This is the largest scene on the back of the Maesta, the Virgin fainting on one side and the crowd arguing on the other.
★ 6.6
The Crucifixion (Mantegna)
1459 · Louvre, Paris
Soldiers throw dice for Christ's robe on a paved Golgotha. This panel was sawn off an altarpiece by Napoleon's looters and never returned.
★ 6.3
Christ Falling on the Way to Calvary
1517 · El Prado, Madrid
Christ turns back toward his mother as she swoons, and legend has it the painting was nearly lost in a shipwreck on its way to Palermo.
★ 6.3
Christ Carrying the Cross (El Greco)
1580 · Metropolitan Museum of Art, New York City
El Greco stripped out the crowd and the road and left the face and the embraced wood, a formula he repeated many times for Toledo.
★ 6.1
The Road to Calvary (Tiepolo)
1740 · Sant'Alvise, Venice
Even the Passion gets Tiepolo's airy color and snapping banners, the whole shoving procession swept upward toward Golgotha as theater.
★ 6.1
Ecce Homo (Titian)
1548 · El Prado, Madrid
Behold the man, said Pilate. Titian strips out the crowd and leaves the scourged Christ half-length, close enough to pray to.
★ 6.1
Ecce Homo (Caravaggio)
1605 · Palazzo Rosso, Genoa
Three figures in a shallow dark box, and Caravaggio puts you where the crowd stood, having to decide what to do with him.
★ 5.7
Crucifix (Giotto)
1312 · Santa Maria Novella, Florence
Where Cimabue's Christ swings in an elegant curve, Giotto's hangs straight down under his own weight, belly sagging, head on his chest.
★ 5.7
Christ Carrying the Cross (Lotto)
1526 · Louvre, Paris
Lotto crops the Passion down to one tear-streaked head at the surface, with soldiers' hands coming in from the edges of the frame.
★ 5.4
The Calvary
1465 · Louvre, Paris
Only the Virgin and Saint John below the cross, and a river winding past a walled town. Early Bellini, carrying feeling in the light.
★ 5.2
The Road to Calvary (Duccio)
1311 · Museo dell'Opera del Duomo (Siena), Siena
A soldier drags Christ out through the city gate by his robe, the diagonal of the cross cutting against a bristling line of lances.
★ 5.1