Mask of Tutankhamun
Artist unknown
1323 BC · Grand Egyptian Museum, Giza
Eleven kilograms of gold inlaid with lapis and carnelian, lifted by Howard Carter from the innermost of three coffins in 1925.
★ 9.6
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Portrait of Pope Innocent X
1650 · Galleria Doria Pamphilj, Rome
Velázquez caught every wary line in the pope's face, and Innocent reportedly said it was troppo vero, too true. Francis Bacon reworked it for years.
★ 8.8
The Burial of the Count of Orgaz
1586 · Church of Santo Tome, Toledo, Ohio
Two saints lower a nobleman into his grave while his soul slips through a tear in the sky. The mourners are El Greco's own neighbors.
★ 8.7
Portrait of Juan de Pareja
1650 · Metropolitan Museum of Art, New York City
Pareja was Velázquez's enslaved assistant, freed soon after this was painted in Rome as a warm-up before the pope sat for him.
★ 7.8
Study After Velazquez's Portrait of Pope Innocent X
1953 · Des Moines Art Center, Des Moines
Bacon took Velázquez's composed pope and set him screaming behind a curtain of falling paint. He never saw the original in person.
★ 7.8
Self-Portrait (Rembrandt, 1665)
1665 · Kenwood House, London
The old painter holds his brushes and palette, and behind him two large arcs are drawn on the wall that nobody has explained.
★ 7.7
Self-Portrait (Rembrandt, 1658)
1658 · The Frick Collection, New York City
Rembrandt painted himself enthroned like a monarch, staff across his lap, in the same year bankruptcy took his house and everything in it.
★ 7.5
The Polish Rider
1655 · The Frick Collection, New York City
A young horseman rides into the dusk armed and alert, and nobody has ever agreed who he is or where he is going.
★ 7.5
Portrait of Dr. Gachet
1890 · Private collection
The doctor who was caring for him leans his head on one hand, a sprig of foxglove on the table, the background rippling blue.
★ 7.5
Portrait of Doge Leonardo Loredan
1504 · National Gallery, London
Bellini painted the brocade thread by thread and turned the official portrait from a profile on a coin into a man met face to face.
★ 7.4
Portrait of Erasmus of Rotterdam
1523 · National Gallery, London
Erasmus rests his hands on a book whose edge is inscribed The Labors of Hercules, his own joke about how much scholarship costs.
★ 7.4
Laughing Cavalier
1624 · Wallace Collection, London
He is neither laughing nor a cavalier. The lace and gold thread on that sleeve were flicked on in a few confident strokes.
★ 7.4
Portrait of Louis Francois Bertin
1832 · Louvre, Paris
The newspaper magnate leans forward gripping both knees, and the picture became the face of the commercial class that ran nineteenth-century France.
★ 7.4
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
An Old Man and His Grandson
1490 · Louvre, Paris
The old man's nose is swollen and ruined by disease, and the boy looks up at him without noticing it at all.
★ 7.3
Portrait of Desiderius Erasmus
1523 · Louvre, Paris
Erasmus is caught mid-sentence with the pen still moving. He sent portraits like this across Europe as a kind of intellectual calling card.
★ 7.2
Louis XIV
1701 · Louvre, Paris
At sixty-three the king still turns out one leg to show the dancer's calf he was proud of, under a cascade of ermine and fleurs-de-lis.
★ 7.2
Portrait of Sir Thomas More
1527 · The Frick Collection, New York City
Holbein arrived in England on a letter from Erasmus and painted More at the height of his power. Within a few years More was executed.
★ 7.1
Paul Revere
1768 · Museum of Fine Arts (Boston), Boston
Copley painted the silversmith in his shirtsleeves at the bench with a teapot in his hand, which was not how gentlemen were usually shown.
★ 7.1
The Merry Drinker
1630 · Rijksmuseum, Amsterdam
He raises his glass and talks straight at you, painted in slashing strokes laid down about as fast as the moment they catch.
★ 6.9