
Sunday
1890 · Private collection
He stares out the window, she pokes the fire, and the dots are used here for boredom rather than sunlight.
★ 4.8

He stares out the window, she pokes the fire, and the dots are used here for boredom rather than sunlight.

A family at breakfast, posed so stiffly in the glare that the comfortable room turns faintly airless. Every surface is built from dots.

He reads the paper, she touches one key of the piano, and we are watching from the street through their window.

A canvas on an easel shows exactly the landscape it is standing in front of, and therefore hides it completely.

The officer's hat and back loom enormous in the foreground while the girl sits small and bright beyond, which is exactly how the eye works.

Vermeer never sold this one. The model poses as Clio, muse of history, with a great map of the Netherlands filling the wall behind.