
Temptation of Adam and Eve
Serene, elegant nudes about to ruin everything. It faces Masaccio's Expulsion across the same chapel, calm before the Fall against anguish after.

Serene, elegant nudes about to ruin everything. It faces Masaccio's Expulsion across the same chapel, calm before the Fall against anguish after.

Eden on one side of the rock arch, blasted wilderness on the other, and Cole lets the landscape carry the entire moral argument.

The serpent stands upright against the tree with a near-human face, and every leaf in the garden is catalogued one by one.

A black silhouette plays a flute and the snakes come out of the leaves toward the music, in moonlight Rousseau invented entirely.

Two moments in one field: Adam and Eve reaching for the fruit, then driven out, suddenly old. The serpent has a woman's torso.

Eve throws back her head and howls while Adam hides his face, the bodies heavy and casting real shadows. Michelangelo came to study it.

Three panels run from Eden to hell, with a whole naked humanity climbing into giant fruit in between. Nobody has settled what it means.