The Virgin and Child (Ugolino)
1312 · Louvre, Paris
The Child reaches up to grasp the edge of his mother's veil. Ugolino followed Duccio more closely than anyone else did.
★ 3.6
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Adoration of the Magi
1813 · Kunsthalle, Hamburg
Overbeck and the Nazarenes lived almost as monks in Rome and painted deliberately like the Italians before Raphael. This is the program.
★ 4.2
Madonna and Child with St. John the Baptist
1495 · Palazzo Pitti, Florence
Late Botticelli, with the early lightness gone tense. He had fallen under Savonarola's spell and his religious pictures never relaxed again.
★ 4.7
Madonna and Child (Perugino)
1500 · Detroit Institute of Arts, Detroit
The oval face, the lowered eyes, the Umbrian distance melting into air. Raphael took all of it and then went past it.
★ 4.8
Maddona with Child and Six Angels
1305 · Galleria Nazionale dell'Umbria, Perugia
Six angels lean in along the throne with their heads tilted, which turns a rigid Byzantine formula into something nearly intimate.
★ 5.2
The Nativity (Giotto)
1305 · Scrovegni Chapel, Padua
The Virgin lies on the hillside and turns to lay her son in the manger, looking at his face. No gold, just a cold blue sky.
★ 5.2
The Nativity (da Fabriano)
1423 · Uffizi Gallery, Florence
The Child lies on the ground giving off his own light across the straw and his mother's face. One of the first paintings lit from inside.
★ 5.2
The Rest on the Flight to Egypt with Saint Francis
1520 · Uffizi Gallery, Florence
Joseph reaches up to pull down dates from a palm while Saint Francis kneels at the side, added for the chapel that ordered it.
★ 5.2
The Holy Family with a Lamb
1507 · El Prado, Madrid
The Child sits astride a lamb, which is the sacrifice, and Raphael took the interlocking group straight out of Leonardo.
★ 5.6
Rest during the Flight into Egypt
1423 · Uffizi Gallery, Florence
A gilded low sun hangs over the road and the orange trees are heavy with fruit, an early attempt at real morning light across a landscape.
★ 5.7
The Rest on the Flight into Egypt (David)
1510 · National Gallery of Art, Washington, District of Columbia
The Virgin offers the Child a bunch of grapes, which stand for the wine of his death, in an exactly observed Flemish wood.
★ 6.1
The Adoration of the Kings
1564 · National Gallery, London
Bruegel gives the holy figures plain faces and surrounds them with gawkers and whisperers, which makes reverence hard to come by.
★ 6.3
Adoration of the Magi (Giotto)
1305 · Scrovegni Chapel, Padua
Giotto had watched Halley's Comet in 1301 and painted the Star of Bethlehem as a comet, apparently the first artist to do it.
★ 6.3
The Barbadori Altarpiece
1437 · Louvre, Paris
The angels crowd in like inquisitive children. One of the first paintings to put the Virgin and saints in a single shared space.
★ 6.3
Madonna Enthroned
1290 · Uffizi Gallery, Florence
Four prophets peer from arches under the throne holding scrolls that foretell the Virgin Birth, and the throne is angled to suggest depth.
★ 6.6
Festival of the Rose Garlands
1506 · Narodni Galerie, Prague
Dürer painted it in Venice to prove a German could beat the Venetians at color, and wrote on it that it took five months.
★ 6.6
St. Luke Drawing the Virgin
1440 · Museum of Fine Arts (Boston), Boston
Luke was the patron saint of painters, and van der Weyden ran the Brussels painters' guild, so this is a tribute to the trade.
★ 6.7
Madonna and Child (Duccio)
1300 · Metropolitan Museum of Art, New York City
Christ reaches up to push his mother's veil aside. Scorch marks on the original frame record centuries of candles set before it.
★ 6.8
Adoration of the Magi (Botticelli)
1478 · Uffizi Gallery, Florence
The three kings are Medici, and the young man in the saffron cloak at the right, looking straight out at us, is Botticelli.
★ 7.0
Madonna of the Harpies
1517 · Uffizi Gallery, Florence
The little demons carved on the pedestal were taken for harpies and gave the picture its name. Del Sarto was called the faultless painter.
★ 7.1