The Elephants
1948 · Private collection
Two elephants carrying obelisks on legs far too spindly to hold them, which is the entire effect and it works.
★ 4.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Fragment of a Crucifixion
1950 · Van Abbemuseum, Eindhoven
Bacon used the shape of the cross as an armature for meat rather than religion, with a snarling animal fixed on top.
★ 4.8
Aquis Submersus
1919 · Stadel Museum, Frankfurt
A doll-like figure by a still pool under a tower with a clock face. Ernst had been looking hard at de Chirico's empty squares.
★ 5.2
Maya with Doll
1938 · Private collection
His daughter Maya holding her doll, her face split front and profile at once, the Cubist trick turned warm for once.
★ 5.2
Figure in a Landscape
1945 · Tate Modern, London
Bacon started from a snapshot of a friend dozing in a park and then removed the head, the identity and the ease.
★ 5.2
The Disintegration of the Persistence of Memory
1954 · Salvador Dali Museum, St. Petersburg, Florida
Dalí went back to his own melting watches and broke the ground beneath them into floating bricks, for the atomic age.
★ 5.2
Reading (La Lecture)
1932 · Private collection
Marie-Thérèse has fallen asleep over her book with her head on her arms, from the year Picasso painted her over and over.
★ 5.4
Leda Atomica
1949 · Teatro-Museo Dali, Figueres
Nothing in the picture touches anything else. Dalí built it on the physics of the atom, where matter is mostly empty space.
★ 5.6
On the Threshold of Liberty
1937 · Art Institute of Chicago, Chicago
A cannon points across a room whose walls are panelled with samples of the world: sky, wood grain, fire, bells, a woman's torso.
★ 5.9
Swans Reflecting Elephants
1937 · Private collection
Three swans on a lake, and in the reflection the necks have become trunks and the trees have become legs.
★ 6.1
Nude in a Black Armchair
1932 · Wexner Center for the Arts, Columbus, Georgia
The dark chair throws the body forward, all lilac and rose curves, a plant arching over the sleeper from behind.
★ 6.1
Woman with Yellow Hair
1931 · Guggenheim, New York City
Marie-Thérèse asleep with her head on her arms, the angular violence of Cubism gone soft and curved for a few years.
★ 6.1
La Mariee (The Bride)
1950 · Private collection
A bride in red floats through the blue night with a goat playing a cello beside her. Many people know it from a film.
★ 6.1
The Temptation of Saint Anthony (Dali)
1946 · Musees Royaux des Beaux-Arts de Belgique, Brussels
Elephants on impossibly long insect legs carry obelisks and naked women across the plain while the saint holds up a makeshift cross.
★ 6.3
The Menaced Assassin
1927 · Museum of Modern Art, New York City
A murdered woman on a divan, a calm man listening to a gramophone, and two men with a club and a net waiting outside the door.
★ 6.3
We are Making a New World
1918 · Imperial War Museum, London
Splintered stumps and shell craters under a cold sun, and Nash gave it that title on purpose, as an official British war artist.
★ 6.5
The Sacrament of the Last Supper
1955 · National Gallery of Art, Washington, District of Columbia
The room is a twelve-sided glass chamber and a torso hovers over the table. Dalí called this sort of thing nuclear mysticism.
★ 6.5
Europe After the Rain II
1942 · Wadsworth Atheneum, Hartford
Ernst made the eaten-away textures by pressing and lifting paint, working on it while fleeing occupied Europe for America.
★ 6.5
The Dream (La Reve)
1932 · Private collection
Marie-Thérèse asleep in a red armchair, her face split into curves. Picasso is said to have done it in a single afternoon.
★ 6.7
Metamorphosis of Narcissus
1937 · Tate Modern, London
The kneeling figure on the left is the same shape as the stone hand on the right, holding an egg with a flower coming out.
★ 6.7