Golgotha
1900 · The Munch Museum, Oslo
Munch painted this while under treatment in a clinic, and the crucified figure hemmed in by leering faces is not hard to read.
★ 4.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Sinking of the Titanic
1913 · Saint Louis Art Museum (Saint Louis), Saint Louis
Beckmann painted the disaster a year after it happened, borrowing Géricault's raft, and it now reads as a rehearsal for the war.
★ 4.8
Fragment of a Crucifixion
1950 · Van Abbemuseum, Eindhoven
Bacon used the shape of the cross as an armature for meat rather than religion, with a snarling animal fixed on top.
★ 4.8
Train Smoke
1900 · The Munch Museum, Oslo
One puff of steam drifts across a curving shoreline, the modern world putting a small mark on a landscape that had none.
★ 5.2
Deer in the Forest I
1913 · Phillips Collection, Washington, District of Columbia
The deer have almost dissolved into the crystalline planes of the wood, which is exactly what Marc was after.
★ 5.2
The Foxes
1913 · Private collection
Foxes curled together and assembled out of shards of grey, blue and rust. Marc was killed at Verdun three years after painting it.
★ 5.2
Descent from the Cross (Beckmann)
1917 · Museum of Modern Art, New York City
Beckmann came out of the war traumatized and painted a Christ so emaciated and angular that no consolation survives the picture.
★ 5.2
Figure in a Landscape
1945 · Tate Modern, London
Bacon started from a snapshot of a friend dozing in a park and then removed the head, the identity and the ease.
★ 5.2
Jealousy
1907 · The Munch Museum, Oslo
A sallow green face fills the front of the picture while behind him a woman in red picks fruit beside another man. He is imagining it.
★ 5.4
Self-Portrait with a Cigarette
1923 · Museum of Modern Art, New York City
Beckmann had spent the war as a medical orderly, and he looks out of the shadows here like a man finished being surprised.
★ 5.6
Melancholy
1892 · National Gallery (Oslo), Oslo
A man broods on the shore while a couple boards a boat far off, and the curving coastline carries the whole mood by itself.
★ 5.7
Artillerymen (Kirchner)
1915 · Guggenheim, New York City
Naked conscripts showering in a barracks under a mounted officer, painted after the army service that broke Kirchner down.
★ 5.7
La Mariee (The Bride)
1950 · Private collection
A bride in red floats through the blue night with a goat playing a cello beside her. Many people know it from a film.
★ 6.1
Anxiety
1894 · The Munch Museum, Oslo
The same bridge and the same burning sky as the Scream, but with a whole crowd coming toward you instead of one figure.
★ 6.1
Castle and Sun
1928 · Private collection
Small colored blocks stack up into a town like stained glass, with a red sun above. Klee taught at the Bauhaus and kept the whimsy.
★ 6.3
Eclipse of the Sun
1926 · Heckscher Museum of Art, Huntington NY
A headless official takes advice from an industrialist, a blinkered donkey listens above, and a dollar sign has blotted out the sun.
★ 6.3
Yellow Cow
1911 · Guggenheim, New York City
Marc used yellow for whatever was gentle and joyful, and this cow is kicking its legs out across the hills for the pleasure of it.
★ 6.5
Madonna
1894 · National Gallery (Oslo), Oslo
Munch gave the Madonna a red halo, closed eyes and parted lips, and made desire and death the same subject.
★ 6.8
The Dance of Life
1900 · National Gallery (Oslo), Oslo
A woman in white waits, a woman in red dances, a woman in black stands apart. Three ages of love on a midsummer shore.
★ 7.1
Blue Horse I
1911 · Stadtische Galerie, Munich
Marc gave his animals symbolic colors, blue for the spiritual, and looked to them for an innocence he thought people had lost.
★ 7.1