The Last Supper (de Juanes)
1562 · El Prado, Madrid
Every apostle is named in gold and Judas sits apart with a darkened halo, which makes the panel a teaching aid as much as a picture.
★ 4.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
I Am Still Learning
1828 · El Prado, Madrid
An old man on two sticks, with Aun aprendo written underneath. Goya drew it in exile and failing health, near the end.
★ 5.2
The Holy Family with a Lamb
1507 · El Prado, Madrid
The Child sits astride a lamb, which is the sacrifice, and Raphael took the interlocking group straight out of Leonardo.
★ 5.6
Cutting the Stone
1494 · El Prado, Madrid
A quack in a funnel hat cuts the stone of madness out of a man's head, and what comes out is a flower.
★ 5.7
The Archduke Leopold Wilhelm in his Picture Gallery in Brussels
1647 · El Prado, Madrid
Teniers was the archduke's curator, and he painted the walls tiled with identifiable Titians and Giorgiones as a kind of catalogue.
★ 5.9
Ecce Homo (Titian)
1548 · El Prado, Madrid
Behold the man, said Pilate. Titian strips out the crowd and leaves the scourged Christ half-length, close enough to pray to.
★ 6.1
Christ Falling on the Way to Calvary
1517 · El Prado, Madrid
Christ turns back toward his mother as she swoons, and legend has it the painting was nearly lost in a shipwreck on its way to Palermo.
★ 6.3
Saturn Devouring His Son (Rubens)
1636 · El Prado, Madrid
Saturn bites into his own infant to stop the prophecy, the star of Saturn overhead. Goya would take the same subject somewhere much worse.
★ 6.3
The Coronation of the Virgin
1641 · El Prado, Madrid
Father and Son lower the crown together while the group curves into a soft heart shape. Painted for the Spanish queen's private oratory.
★ 6.3
The Seven Deadly Sins and the Four Last Things
1490 · El Prado, Madrid
The whole panel is a giant eye, with Christ in the pupil and the words Beware, beware, God sees. It was made for a tabletop.
★ 6.5
The Trinity
1579 · El Prado, Madrid
God the Father holds his dead son across his knees, the body marble-pale against blue and acid yellow. El Greco's first Spanish commission.
★ 6.5
The Colossus
1812 · El Prado, Madrid
A giant stands with his head in the clouds while everything below scatters. Whether Goya actually painted it is now disputed.
★ 6.8
Mars
1641 · El Prado, Madrid
Mars sits naked and deflated in a plumed helmet with his armor on the floor, looking more like a tired old soldier.
★ 6.8
The Clothed Maja
1800 · El Prado, Madrid
The same woman, same cushions, same pose, now dressed. It is thought to have hung in front of the nude and slid aside.
★ 6.9
Venus and Adonis
1553 · El Prado, Madrid
Venus twists round to hold him back and he pulls away toward the hunt that will kill him. Cupid sleeps in the shade, useless.
★ 7.0
Charles IV of Spain and His Family
1800 · El Prado, Madrid
Goya put himself at an easel in the shadows, as Velázquez had, and painted the royal family looking vacant, pompous or merely plain.
★ 7.2
Christ Crucified
1632 · El Prado, Madrid
No crowd, no landscape, nothing but the body against black, with the hair fallen forward to half-cover the face. Made for private prayer.
★ 7.3
The Nude Maja
1800 · El Prado, Madrid
Not a goddess but a real woman looking straight back, which is why the Inquisition took an interest. Goya painted a clothed version too.
★ 7.6
Annunciation (Fra Angelico, Madrid)
1428 · El Prado, Madrid
Gabriel bows to Mary under the loggia while Adam and Eve are driven out of the garden at the left, the sin this undoes.
★ 7.6
The Triumph of Death
1562 · El Prado, Madrid
Skeletons herd the living into a coffin-trap while a king clutches his gold and two lovers play music at the corner, not yet looking up.
★ 8.0