
The Crucifixion
Angels dart and grieve around the cross while the Magdalene, hair loose, kneels to embrace its foot. A leaf from a travelling altarpiece.

Angels dart and grieve around the cross while the Magdalene, hair loose, kneels to embrace its foot. A leaf from a travelling altarpiece.

Antonello carried the Netherlandish oil technique south to Venice, and Giovanni Bellini responded with a Crucifixion almost identical to this one.

The widow grips a red-hot iron bar unharmed to prove her husband was innocent after he had already been beheaded. Painted for a courtroom.

Elephants on impossibly long insect legs carry obelisks and naked women across the plain while the saint holds up a makeshift cross.

In the middle panel the Child slips a ring onto Saint Catherine's finger, and on the right wing the Apocalypse breaks over Patmos.

A crush of leering faces fills every inch, and Christ moves through the middle of it with his eyes shut.

The Virgin is said to be the king's dead mistress, painted with a shaved forehead and one breast bared, ringed by red cherubim.

All seven sacraments happen at once inside one Gothic church, with the Crucifixion looming over the nave to show where they get their power.

Two pale legs disappear into the sea in the corner while the ploughman keeps ploughing. Auden wrote a poem about exactly that indifference.

Rubens had just come back from Italy with Caravaggio's light and Michelangelo's anatomy, and announced himself with this straining diagonal.

Not the betrayal but the blessing of the bread, staged in a Flemish hall on one of the earliest correct vanishing points in the north.

Van Eyck spared the old canon nothing: the stubble, the swollen hands, the spectacles. His armored saint mirrors the whole room in miniature.

Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.

David was Marat's friend and political ally, and he laid the murdered man out in his bath with the gravity of a religious lamentation.

Saints and pilgrims stream toward a bleeding Lamb across a dozen hinged panels. One of them was stolen in 1934 and has never been found.