The Guitarist
1755 · Musee d'Arts Nantes, Nantes
A young man glances up from his guitar mid-song. Greuze usually painted tearful moral lessons, and here he simply does not.
★ 4.2
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
St. John the Evangelist
1469 · The Frick Collection, New York City
John stands lost in his book, wrapped in red cloth massed like masonry. One wing of an altarpiece now scattered across five cities.
★ 4.4
Portrait of Dante
1495 · Private collection
Dante had been dead nearly two centuries, so this is not a likeness but a verdict, struck in profile like a coin.
★ 4.8
Portrait of a Man, Aged 93
1521 · Albertina, Vienna
An inscription gives his age as ninety-three. Dürer drew him in Antwerp and used the head soon after for a Saint Jerome.
★ 4.8
Christ Blessing (The Savior of the World)
1600 · National Galleries of Scotland, Edinburgh
Two fingers raised in a gesture reaching back to Byzantium, one hand on a crystal orb, the face long and sorrowful and unmistakably his.
★ 5.2
George Washington at Princeton
1779 · Princeton University Art Museum, Princeton
Washington leans on a cannon with captured flags at his feet. Peale knew him and served in the war, so this is the man.
★ 5.2
Portrait of Angel Fernandez de Soto
1903 · Private collection
They shared a Barcelona studio, and Soto was known as a hard drinker, but Picasso painted him sober and sad in blue.
★ 5.2
St. Jerome
1600 · The Frick Collection, New York City
Not the desert hermit but the Doctor of the Church, in cardinal's red with one long hand resting on his own translation of the Bible.
★ 5.4
Clown with Lute
1623 · Louvre, Paris
Caught mid-strum with his cap askew and his mouth open, painted so fast the brushstrokes still seem to be moving.
★ 5.4
Portrait of Jean Cocteau
1917 · Private collection
Cocteau sits stiffly upright with his neck drawn long, one of the sharpest personalities in Paris turned into an elegant mask.
★ 5.4
Portrait of a Man (Memling)
1470 · The Frick Collection, New York City
Memling put his sitters in front of open countryside instead of a dark ground, an idea that traveled to Italy and came back changed.
★ 5.9
Mummy Portrait of a Boy (Eutyches)
Artist unknown
130 · Metropolitan Museum of Art, New York City
Painted in hot colored beeswax and bound over the face of a mummy. The strokes are still visible and the eyes startlingly present.
★ 6.1
Self-Portrait (Rembrandt, 1629)
1629 · Rijksmuseum, Amsterdam
Rembrandt was barely in his twenties and using his own face as a laboratory for light. Dozens more would follow over forty years.
★ 6.1
Man with Crossed Arms
1900 · Guggenheim, New York City
Cézanne cared less who the man was than whether the head would hold together as structure, and the slight asymmetries keep it alive.
★ 6.1
Portrait of a Young Man
1517 · National Gallery, London
He swivels over his shoulder to look at you, holding a block that nobody can identify, and his name has been lost entirely.
★ 6.1
Triple Portrait of Cardinal de Richelieu
1642 · National Gallery, London
Richelieu appears three times on one canvas so that a sculptor in Rome could carve a bust without ever meeting him.
★ 6.3
The Beaneater
1580 · Galleria Colonna, Rome
A peasant looks up from his beans as though caught, spoon halfway to his mouth. Painted decades before Caravaggio's followers made a career of this.
★ 6.3
Portrait of Thomas Cromwell
1533 · The Frick Collection, New York City
Cold competence and nothing else. Holbein painted him as a near-pendant to Thomas More, whom Cromwell helped send to the scaffold.
★ 6.5
Boy with a Basket of Fruit
1593 · Galleria Borghese, Rome
Fruit already spotting toward rot, painted with the same attention as the boy holding it. An early statement of what Caravaggio intended.
★ 6.6
Portrait of Agnolo Doni
1506 · Palazzo Pitti, Florence
Raphael had just arrived in Florence and studied the Mona Lisa hard, then did the same pose in clear light instead of smoke.
★ 6.7
Martin Luther
1532 · Metropolitan Museum of Art, New York City
Cranach was Luther's friend and godfather to his children, and his workshop turned out this face by the score for Protestant Germany.
★ 6.7
Frederic Chopin
1838 · Louvre, Paris
It was half of a double portrait with George Sand listening at the piano, until somebody cut the canvas in two.
★ 6.8
Portrait of a Man
1476 · National Gallery, London
A red cap, a parapet, and a gaze that meets yours. Antonello brought the Netherlandish portrait into Italy and killed off the profile.
★ 6.8
Narcissus
1599 · Galleria Nazionale d'Arte Antica, Rome
Narcissus and his reflection close into a circle around a band of black water, and nothing else exists in the picture.
★ 6.8
Mars
1641 · El Prado, Madrid
Mars sits naked and deflated in a plumed helmet with his armor on the floor, looking more like a tired old soldier.
★ 6.8
Boy with a Pipe
1905 · Private collection
A boy from the street in a crown of roses, painted the year Picasso's blue gloom warmed into rose.
★ 6.9
The Merry Drinker
1630 · Rijksmuseum, Amsterdam
He raises his glass and talks straight at you, painted in slashing strokes laid down about as fast as the moment they catch.
★ 6.9
Portrait of Sir Thomas More
1527 · The Frick Collection, New York City
Holbein arrived in England on a letter from Erasmus and painted More at the height of his power. Within a few years More was executed.
★ 7.1
Paul Revere
1768 · Museum of Fine Arts (Boston), Boston
Copley painted the silversmith in his shirtsleeves at the bench with a teapot in his hand, which was not how gentlemen were usually shown.
★ 7.1
Portrait of Desiderius Erasmus
1523 · Louvre, Paris
Erasmus is caught mid-sentence with the pen still moving. He sent portraits like this across Europe as a kind of intellectual calling card.
★ 7.2
Louis XIV
1701 · Louvre, Paris
At sixty-three the king still turns out one leg to show the dancer's calf he was proud of, under a cascade of ermine and fleurs-de-lis.
★ 7.2
An Old Man and His Grandson
1490 · Louvre, Paris
The old man's nose is swollen and ruined by disease, and the boy looks up at him without noticing it at all.
★ 7.3
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
Portrait of Louis Francois Bertin
1832 · Louvre, Paris
The newspaper magnate leans forward gripping both knees, and the picture became the face of the commercial class that ran nineteenth-century France.
★ 7.4
Portrait of Doge Leonardo Loredan
1504 · National Gallery, London
Bellini painted the brocade thread by thread and turned the official portrait from a profile on a coin into a man met face to face.
★ 7.4
Portrait of Erasmus of Rotterdam
1523 · National Gallery, London
Erasmus rests his hands on a book whose edge is inscribed The Labors of Hercules, his own joke about how much scholarship costs.
★ 7.4
Laughing Cavalier
1624 · Wallace Collection, London
He is neither laughing nor a cavalier. The lace and gold thread on that sleeve were flicked on in a few confident strokes.
★ 7.4
Portrait of Dr. Gachet
1890 · Private collection
The doctor who was caring for him leans his head on one hand, a sprig of foxglove on the table, the background rippling blue.
★ 7.5
The Polish Rider
1655 · The Frick Collection, New York City
A young horseman rides into the dusk armed and alert, and nobody has ever agreed who he is or where he is going.
★ 7.5
Self-Portrait (Rembrandt, 1658)
1658 · The Frick Collection, New York City
Rembrandt painted himself enthroned like a monarch, staff across his lap, in the same year bankruptcy took his house and everything in it.
★ 7.5