Mediterranean Landscape
1952 · Albertina, Vienna
The whole coast reduced to a few flat zones of color and some quick line. Picasso old, settled in the south, and enjoying himself.
★ 4.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Child with a Dove
1901 · Private collection
A child holding a white dove with a colored ball at its feet, painted just as Picasso's palette was cooling toward blue.
★ 5.2
Portrait of Angel Fernandez de Soto
1903 · Private collection
They shared a Barcelona studio, and Soto was known as a hard drinker, but Picasso painted him sober and sad in blue.
★ 5.2
Reading the Letter
1921 · Musee Picasso, Paris
Two heavy young men press close together over a letter, and the intimacy is usually read as a memorial to Apollinaire.
★ 5.2
Maya with Doll
1938 · Private collection
His daughter Maya holding her doll, her face split front and profile at once, the Cubist trick turned warm for once.
★ 5.2
Reading (La Lecture)
1932 · Private collection
Marie-Thérèse has fallen asleep over her book with her head on her arms, from the year Picasso painted her over and over.
★ 5.4
Mother and Child
1902 · Fogg Art Museum, Cambridge, Massachusetts
A mother holding her child, in the blue Picasso used for everything during the years he was poor in Paris and Barcelona.
★ 5.6
Woman with Folded Arms (Femme aux Bras Croises)
1902 · Private collection
Her crossed arms are a wall against the world, and the blue does the rest. Picasso was painting the outcast and the destitute.
★ 5.6
Nude in a Black Armchair
1932 · Wexner Center for the Arts, Columbus, Georgia
The dark chair throws the body forward, all lilac and rose curves, a plant arching over the sleeper from behind.
★ 6.1
Woman with Yellow Hair
1931 · Guggenheim, New York City
Marie-Thérèse asleep with her head on her arms, the angular violence of Cubism gone soft and curved for a few years.
★ 6.1
Woman Ironing
1904 · Guggenheim, New York City
The laundress bears down on her iron with her shoulders up and her head sunk, all in the cold blue of Picasso's poorest years.
★ 6.3
Pigeon with Peas (La Pigeon aux Petits Pois)
1911 · Stolen
Stolen from the Musée d'Art Moderne in Paris in 2010 and never recovered, so it survives here only as a photograph.
★ 6.3
The Charnel House
1945 · Museum of Modern Art, New York City
Bodies lie heaped and bound under a kitchen table, in grey. Picasso left it unfinished, painted after the camps were opened.
★ 6.5
Boy Leading a Horse
1906 · Museum of Modern Art, New York City
The Rose Period cooling off into something graver and more archaic, the boy and horse built like figures off a Greek relief.
★ 6.7
The Dream (La Reve)
1932 · Private collection
Marie-Thérèse asleep in a red armchair, her face split into curves. Picasso is said to have done it in a single afternoon.
★ 6.7
Bull's Head
1942 · Musee Picasso, Paris
A bicycle saddle and a set of handlebars, joined. Picasso joked that someone might one day turn it back into a bicycle.
★ 6.7
Boy with a Pipe
1905 · Private collection
A boy from the street in a crown of roses, painted the year Picasso's blue gloom warmed into rose.
★ 6.9
Nude, Green Leaves and Bust
1932 · Tate Modern, London
Marie-Thérèse asleep beside a sculpture of her own head and a philodendron, from the year Picasso could seemingly do nothing wrong.
★ 6.9
The Three Dancers
1925 · Tate Modern, London
Picasso's classical calm breaks here into something jagged and violent, the limbs flung out almost crucified, set off by the death of an old friend.
★ 7.2
The Weeping Woman
1937 · Tate Modern, London
Picasso pulled her out of the screaming mother in Guernica and gave her the face of Dora Maar, his lover and a photographer.
★ 7.5
Family of Saltimbanques
1905 · National Gallery of Art, Washington, District of Columbia
Circus people stand together in an empty landscape without looking at each other. The Rose Period at its largest and most wistful.
★ 7.5
Three Musicians
1921 · Museum of Modern Art, New York City
A harlequin, a Pierrot and a monk in flat interlocking shapes that look cut from paper. Synthetic Cubism at its grandest and most deadpan.
★ 7.8
The Old Guitarist
1904 · Art Institute of Chicago, Chicago
The guitar is the only warm note in the picture. Picasso painted it in his Blue Period, poor himself and living on very little.
★ 7.8
The Girls of Avignon
1907 · Museum of Modern Art, New York City
Five nude women stare out with their faces turned into masks, and Picasso kept the canvas rolled up in his studio for years.
★ 9.2
Guernica
1937 · Museo Reina Sofia, Madrid
A screaming horse, a mother with her dead child, all in grey. Picasso painted it in weeks after German bombers leveled a Basque town.
★ 9.9