Christ Bearing the Cross, with a Dominican Friar
1360 · The Frick Collection, New York City
Christ looks back over the cross at a tiny Dominican friar kneeling in the corner, the patron drawn into the road to Calvary.
★ 3.2
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Virgin and Child (Ugolino)
1312 · Louvre, Paris
The Child reaches up to grasp the edge of his mother's veil. Ugolino followed Duccio more closely than anyone else did.
★ 3.6
The Flagellation of Christ (Cimabue)
1280 · The Frick Collection, New York City
No bigger than a page, and one of very few works securely given to Cimabue, whom Dante named the best painter of his day.
★ 4.0
The Last Supper (Bouveret)
1896 · Private collection
The light in the darkened room seems to be coming off Christ himself, painted when religious art had largely gone out of fashion.
★ 4.0
The Guitarist
1755 · Musee d'Arts Nantes, Nantes
A young man glances up from his guitar mid-song. Greuze usually painted tearful moral lessons, and here he simply does not.
★ 4.2
The Adoration of the Magi
1813 · Kunsthalle, Hamburg
Overbeck and the Nazarenes lived almost as monks in Rome and painted deliberately like the Italians before Raphael. This is the program.
★ 4.2
Ecce Homo (Ciseri)
1871 · Location unknown
We are standing behind Pilate, looking out over his shoulder at the crowd, which puts us among the officials rather than the mob.
★ 4.2
Melancholy
1874 · Phillips Collection, Washington, District of Columbia
A woman slumped back on a sofa, and Degas reads the whole state of mind off the slope of her shoulders.
★ 4.2
Self-Portrait (Rivera)
1907 · Museo Dolores Olmedo Patino, Mexico City
Rivera as a student in Europe, years before the murals, still working inside the academic tradition he would later blow up.
★ 4.2
The Old Plantation
1795 · Abby Aldrich Rockefeller Folk Art Museum, Williamsburg
Enslaved people dancing and making music beside their cabins, with African instruments and dress. Attributed to a South Carolina slaveholder.
★ 4.3
The Sermon on the Mount
1442 · San Marco Museum, Florence
Painted on the wall of a friar's cell at San Marco, stripped of gold and ornament so that it settles the mind rather than dazzles.
★ 4.4
St. John the Evangelist
1469 · The Frick Collection, New York City
John stands lost in his book, wrapped in red cloth massed like masonry. One wing of an altarpiece now scattered across five cities.
★ 4.4
The Lamentation
1582 · Metropolitan Museum of Art, New York City
The body pushed close to the viewer and lit in sharp pools. The Carracci taught a generation to weld grandeur to direct feeling.
★ 4.4
The Rebuke of Adam and Eve
1626 · National Gallery of Art, Washington, District of Columbia
Adam points at Eve, Eve points at the serpent, and the first sin turns into an ordinary comedy of passing the blame.
★ 4.4
The Parable of the Wise and Foolish Virgins
1825 · Yale Center for British Art, New Haven
Five have kept their lamps lit and five have not, and the ones who have not are pleading. An avenging angel waits above.
★ 4.4
Self-Portrait (Caillebotte)
1892 · Musee d'Orsay, Paris
One of the Impressionist canvases he owned hangs on the wall behind him. Caillebotte's money and his bequest kept the movement alive.
★ 4.4
Mediterranean Landscape
1952 · Albertina, Vienna
The whole coast reduced to a few flat zones of color and some quick line. Picasso old, settled in the south, and enjoying himself.
★ 4.4
Mona Lisa (Botero)
1978 · Location unknown
Botero inflated the most famous face in the world until the little mouth vanished into acres of cheek. Affectionate rather than cruel.
★ 4.4
Marriage at Cana
1305 · Scrovegni Chapel, Padua
A steward tastes from a bowl and a portly servant tends the jars, and the miracle goes by almost without anyone noticing.
★ 4.6
The Ascension
1305 · Scrovegni Chapel, Padua
Christ's fingertips cross out of the human part of the picture and blur into light, which is the whole event in one detail.
★ 4.6
Christ Appearing on the Road to Emmaus
1311 · Museo dell'Opera del Duomo (Siena), Siena
Christ turns up dressed as a pilgrim with a staff and a traveler's pouch, and the two disciples still have no idea who he is.
★ 4.7
Communion of the Apostles
1452 · San Marco Museum, Florence
Christ stands to place the host on each tongue exactly as a priest does at Mass, in a bare cell-like room with stools.
★ 4.7
Herod's Banquet
1490 · Santa Maria Novella, Florence
The head arrives on a platter inside a serene sunlit loggia full of well-dressed Florentines, many of them the family who paid.
★ 4.7
Madonna and Child with St. John the Baptist
1495 · Palazzo Pitti, Florence
Late Botticelli, with the early lightness gone tense. He had fallen under Savonarola's spell and his religious pictures never relaxed again.
★ 4.7
Night View of a Ginza Store
1884 · Ota Memorial Museum of Art, Tokyo
Gaslight in the windows of a new brick storefront on an empty Tokyo street. Yasuji died at twenty-five and got there before Hopper.
★ 4.7
The Descent to Hell
1311 · Museo dell'Opera del Duomo (Siena), Siena
Christ strides into the cave to pull Adam out by the hand, treading on a chained Satan as he goes.
★ 4.8
Washing of the Feet
1311 · Museo dell'Opera del Duomo (Siena), Siena
Christ kneels with the basin and Peter, flustered, raises a hand to his own head. Some of the others are already loosening their sandals.
★ 4.8
The Crucifixion
1333 · Royal Museum of Fine Arts, Antwerp
Angels dart and grieve around the cross while the Magdalene, hair loose, kneels to embrace its foot. A leaf from a travelling altarpiece.
★ 4.8
Banquet of Herod
1435 · Church of Saints Stephen and Lawrence, Castiglione Olona
The feast on the left, the severed head delivered on the right, both staged in a colonnade built with Masaccio's new perspective.
★ 4.8
The Visitation (Ghirlandaio)
1491 · Louvre, Paris
Elizabeth sinks down and clasps the pregnant Mary. Ghirlandaio ran the busiest workshop in Florence, and a boy named Michelangelo apprenticed there.
★ 4.8
Portrait of Dante
1495 · Private collection
Dante had been dead nearly two centuries, so this is not a likeness but a verdict, struck in profile like a coin.
★ 4.8
Lamentation of Christ (Durer)
1500 · Alte Pinakothek, Munich
The tiny kneeling figures in the corners are the Nuremberg family who paid for it, inserted so they could share in the grief.
★ 4.8
Madonna and Child (Perugino)
1500 · Detroit Institute of Arts, Detroit
The oval face, the lowered eyes, the Umbrian distance melting into air. Raphael took all of it and then went past it.
★ 4.8
The Annunciation (David)
1506 · Metropolitan Museum of Art, New York City
This is only the angel. Mary received the message on a companion panel, and the two now hang together as a pair.
★ 4.8
The Card Players (van Leyden)
1517 · Wilton House, Wiltshire, England
Coins and cards on the table and a great deal of sidelong glancing. Somebody is being cheated, and the intrigue may not be financial.
★ 4.8
Portrait of a Man, Aged 93
1521 · Albertina, Vienna
An inscription gives his age as ninety-three. Dürer drew him in Antwerp and used the head soon after for a Saint Jerome.
★ 4.8
Apollo and Daphne
1525 · Galleria Borghese, Rome
Dossi swapped Apollo's ancient lyre for a modern viol, and Daphne is already sprouting into laurel in the far distance.
★ 4.8
Ecce Homo (Matsys)
1526 · Palazzo Ducale, Venice
Christ stands with his eyes lowered while the faces around him are twisted into snarls. Matsys made ugliness do the moral work.
★ 4.8
The Last Supper (de Juanes)
1562 · El Prado, Madrid
Every apostle is named in gold and Judas sits apart with a darkened halo, which makes the panel a teaching aid as much as a picture.
★ 4.8
The Deposition
1602 · Galleria Borghese, Rome
Rubens worked this out in Rome while studying Caravaggio, a rehearsal for the great Descent he would paint back home in Antwerp.
★ 4.8