
Blue
Mitchell was so exposed making it that she asked visitors to leave the studio. Kris Kristofferson told her to keep something back for herself.

Mitchell was so exposed making it that she asked visitors to leave the studio. Kris Kristofferson told her to keep something back for herself.

Morrison sat in an isolation booth and barely spoke to the jazz players hired to back him. The whole thing was done in three sessions.

One side plugged in, one side not. A few months later Dylan took the electric half to Newport and the folk crowd turned on him.

Simon wrote the title song and gave it to Garfunkel to sing alone, and spent years regretting it. They had broken up by release.

King had already written dozens of hits for other people before anyone heard her sing. This one sold twenty-five million copies.

Dylan was twenty-one. The cover photograph was taken on a Greenwich Village street in the snow, and four songs were pulled at the last minute.

The bassist Phil Lesh wrote Box of Rain while his father was dying, and sang it himself. The Dead had never written this plainly before.

Mitchell hired a working jazz band to back her and made the best-selling record of her life without simplifying a single thing.

Buckley's voice covers about four octaves and he uses most of them. He drowned in the Mississippi three years later, aged thirty.

He taped it alone on a four-track in his bedroom, carried the cassette around in his pocket, and it ended up released as it was.

Williams spent six years on it, scrapped a finished version, and fell out with two producers before she would let anyone release it.

Side one runs from childhood to old age, and the voices in the middle of it are real people Garfunkel recorded in nursing homes.

The title comes from the warning near the end of a packet of cigarette papers. A college friend with no professional credits wrote the string parts.

Twenty-eight minutes, recorded in two late-night sessions with nobody else playing. Drake left the tapes at his label's reception desk and walked out.

Cohen was thirty-three and already a published novelist when he made it, and he disliked the strings the producer added behind him.

Taylor was the first American signed to the Beatles' Apple label, and had already made a record there that nobody bought.

It sold fewer than three thousand copies. John Cale played on two songs, and Drake barely performed any of it in public.

Chapman was busking in Boston a year before this came out. A last-minute set at the Mandela concert at Wembley sent it to number one.

Guthrie wrote the long Tom Joad ballad overnight after seeing the film of The Grapes of Wrath. Just a voice and a guitar throughout.

The last track lays a Christmas carol over a real news broadcast, so the two get harder to separate as it goes on.

Their producer added drums and electric guitar to an old acoustic track without telling them. It became a hit and the duo reformed.

Mark Kozelek uses real names throughout, and the deaths in it are real deaths in his family. Almost nothing is dressed up as metaphor.

Fleck plays banjo in styles bluegrass had no name for, surrounded by the best acoustic players alive, none of whom show off.