
Leader of the Pack
Their producer Shadow Morton put real motorcycle engines and seagulls on the records, and the singers were teenagers from Queens acting out small tragedies.

Their producer Shadow Morton put real motorcycle engines and seagulls on the records, and the singers were teenagers from Queens acting out small tragedies.

Karen Carpenter was the drummer, and sang from behind the kit until someone persuaded her to come out in front of it.

The two of them had played together in a Bath mod band as teenagers, and named this one after a line in a psychology book.

Count Basie's orchestra behind him, Quincy Jones's arrangements, and a long unscripted monologue in the middle that is half the reason people keep it.

The drum figure that opens Be My Baby is four beats long, and Brian Wilson has said he played it hundreds of times over.

Herbie Hancock turns up to play a keyboard solo on one track, which nobody expected on a Scottish post-punk record.

John Taylor's bass carries the tunes the way a lead guitar normally would, which is what separates this from the synth-pop around it.

The four of them sang in a block harmony nobody had used in pop, and the first cover photograph had them all in a bathtub.

A twenty-two-year-old on a jazz label made a very quiet record, and it sold twenty-seven million copies and swept the Grammys.

Named after her father, a Tamil militant she barely knew, and built largely on a cheap secondhand sequencer in a London flat.

Spector put the Wall of Sound behind sleigh bells and Darlene Love. It came out the day Kennedy was shot and sank without trace.

Her mother sang backing vocals for Aretha Franklin. Arista spent two years and a great deal of money picking songs before releasing any of it.

One sleeve photograph left Roger Daltrey sitting in a bath of cold baked beans long enough to catch pneumonia. The radio jingles between songs are real.

Lorde was sixteen, recording after school in an Auckland studio, and the tracks are built from almost nothing but voice, bass and finger snaps.

Recorded in about two weeks in London on almost no budget, when Turner was forty-four and considered finished. Mark Knopfler wrote the title song.

Madonna fought the label for control of her own debut and got a club DJ brought in to remix it. It sold ten million.

Paul Buckmaster's orchestra was recorded live in the room with the band rather than added afterward, which is why the strings breathe with them.

The songs run in order through the years Elton John and Bernie Taupin spent failing. It was the first album ever to enter at number one.

Lisa Lopes burned down her boyfriend's house while they were making it. The album sold over twenty million and the group still went bankrupt.