
I Want You
Leon Ware wrote it as his own record and Gaye liked it so much he took it. It plays as one continuous piece.

Leon Ware wrote it as his own record and Gaye liked it so much he took it. It plays as one continuous piece.

Signed to Motown at eleven, he had a number one at thirteen, and later played nearly every instrument on his own records himself.

Mayfield wrote the songs the civil rights marches sang, then started his own label so that he would own them.

Zigaboo Modeliste's drumming here has been sampled more than almost anyone's, because he leaves gaps where other drummers would put a beat.

Guitarist and producer Dave Sitek moved the band out of Brooklyn to a house in Malibu, and the record came back funkier and less claustrophobic.

The drums land just behind the beat all the way through. Miles Davis is said to have played one track over and over for his band.

The title track runs sixteen minutes and was cut with the band playing together in the room, audience noise dubbed on afterward.

Sly's band was mixed by race and by sex at a time when almost no one else's was, and the singles sound like that too.

Prince made it at home as a set of demos, and Warner decided to put them out exactly as they were.

Brown fined his musicians on the spot for missed notes and scuffed shoes, which is one reason the band plays like this.

They put the drum machines away and hired session players who had made the records they grew up on. Giorgio Moroder narrates his own life.

Horns and drums lock into one riff and hold it for minutes before Fela sings a word, which is how he built nearly every track.

One track runs thirteen minutes and another uses a talk box to make the two singers argue through their instruments about race.

Mayfield watched the film and wrote songs attacking the drug dealing it made look glamorous, then sang them in a falsetto over congas.

The title song began as a political lyric someone else wrote, and Gaye rewrote it into a seduction before the tape rolled.

Prince was supposed to sing the title track with Jackson and turned it down. Five singles from it went to number one anyway.

The Superstition riff is a clavinet, an electric keyboard with strings inside, layered several times over. Wonder had just won control of his contract.

King Records refused to pay for a live album with no new songs on it, so Brown funded the recording himself. It reached number two.

Wonder played almost every instrument on it himself. Days after it came out a car crash put him in a coma for four days.

Sly overdubbed most of it alone onto a drum machine at home. The title track is listed as running zero seconds and has no music.

When Doves Cry has no bass on it at all, which Prince did deliberately. Several tracks were taped live at a Minneapolis club.

Jackson was twenty-one and wrote the two best songs on it himself. It won a single Grammy, which he took as an insult.

Most of it is built on a single chord that never changes, with the interest coming entirely from layers of interlocking rhythm.

It was meant to be a triple album and the label refused. Some of it is sung by a sped-up alter ego called Camille.

It took so long that Wonder and the band took to wearing T-shirts reading We're Almost Finished. Twenty-one songs, and no filler.