
Younger Than Yesterday
Chris Hillman had never written a song before and suddenly wrote four, because Gene Clark had left and Crosby could not fill the gap alone.

Chris Hillman had never written a song before and suddenly wrote four, because Gene Clark had left and Crosby could not fill the gap alone.

Mark Kozelek uses real names throughout, and the deaths in it are real deaths in his family. Almost nothing is dressed up as metaphor.

The title song is in three parts, and they are scattered across the record out of order. The story is a Japanese folk tale.

Their producer added drums and electric guitar to an old acoustic track without telling them. It became a hit and the duo reformed.

The last track lays a Christmas carol over a real news broadcast, so the two get harder to separate as it goes on.

The four of them sang in a block harmony nobody had used in pop, and the first cover photograph had them all in a bathtub.

The band was falling apart while they made it, recording their songs separately. Neil Young quit twice before it was finished.

David Crosby was fired partway through the sessions, and the horse on the cover has been read ever since as a joke at his expense.

Beck's father wrote the string arrangements, as he had on Sea Change. It won Album of the Year and Kanye West objected onstage.

Jerry Garcia played on it and is credited only as the band's spiritual adviser. The whole record took thirteen days.

Ringing ears from his previous, much louder album meant Young had to play quietly, so he called the band back and made a sequel.

Singer Robin Pecknold scrapped a finished version and started over. The title song is about not wanting to be anyone special.

It sold fewer than three thousand copies. John Cale played on two songs, and Drake barely performed any of it in public.

T Bone Burnett chose every song and neither singer had heard most of them. Plant sings underneath Krauss rather than over her.

It sold almost nothing and Columbia nearly dropped him. Rosalita runs past seven minutes and closed his concerts for years afterwards.

It was the first album certified platinum, and for decades it traded places with Thriller as the best-selling record in America.

Twenty-eight minutes, recorded in two late-night sessions with nobody else playing. Drake left the tapes at his label's reception desk and walked out.

The title comes from the warning near the end of a packet of cigarette papers. A college friend with no professional credits wrote the string parts.

Marc Bolan sings everything with the same wobbling vibrato over two-chord boogie, and producer Tony Visconti buried strings underneath it.

The mandolin on Maggie May was played by a session man paid fifteen pounds, whose name Stewart admitted he had forgotten in the sleeve notes.

Side one runs from childhood to old age, and the voices in the middle of it are real people Garfunkel recorded in nursing homes.

Beck wrote it after a nine-year relationship ended and recorded it in about two weeks. His father wrote the string arrangements.

Justin Vernon spent three winter months alone in his father's hunting cabin, recovering from a breakup and glandular fever, stacking his falsetto in layers.

The singer Robin Pecknold layers the harmonies so thickly, and drowns them in so much reverb, that it sounds recorded in a stone church.

Dylan had not released an album of new songs in seven years, and recorded these in Miami with a dozen musicians playing at once.

John Cale had left, taking the viola and the noise with him. They recorded it through small amplifiers because their equipment had been stolen.

The three of them first sang together in a living room and knew immediately. The house on the cover was demolished before they could reshoot it.

The Dust Brothers spent two years layering it out of junk-shop records. The dog on the cover is a Komondor caught mid-jump.

Morrison arranged the horns himself and has spent decades saying he does not much like the record. Everyone else disagrees.

Jeff Mangum wrote it after reading Anne Frank's diary, played a musical saw on it, and then more or less disappeared for a decade.

Arthur Lee was convinced he was about to die and wrote it as a goodbye. Session players were hired when the band could not play.

Mitchell hired a working jazz band to back her and made the best-selling record of her life without simplifying a single thing.

The bassist Phil Lesh wrote Box of Rain while his father was dying, and sang it himself. The Dead had never written this plainly before.

King had already written dozens of hits for other people before anyone heard her sing. This one sold twenty-five million copies.

Rick Wakeman plays the piano throughout, and Bowie wrote Kooks in an afternoon for his newborn son. Ziggy Stardust was still a year away.

It took roughly eight hundred hours of studio time, and by the end the four of them were barely speaking to each other.

Recorded mostly in the basement of his Topanga house, with an eighteen-year-old Nils Lofgren on piano, an instrument he had not played before.

They wrote it in the basement of a pink house near Woodstock, and Bob Dylan painted the picture on the front.

Young had hurt his back and recorded much of it sitting down in a brace. The London Symphony Orchestra plays on two of the songs.

Simon wrote the title song and gave it to Garfunkel to sing alone, and spent years regretting it. They had broken up by release.

One side plugged in, one side not. A few months later Dylan took the electric half to Newport and the folk crowd turned on him.

Morrison sat in an isolation booth and barely spoke to the jazz players hired to back him. The whole thing was done in three sessions.

Mitchell was so exposed making it that she asked visitors to leave the studio. Kris Kristofferson told her to keep something back for herself.

Ringo Starr quit for two weeks during the sessions and Paul played drums in his absence. The cover is plain white with a stamped serial number.

Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.

There is no title and no band name anywhere on the sleeve, just four symbols the members chose. The label thought it was commercial suicide.

The Nashville session men sat around for hours while Dylan finished writing. Sad Eyed Lady of the Lowlands was cut at four in the morning.

Dylan finished it, then rerecorded half the songs in Minneapolis with local musicians his brother rounded up, days before it was due out.

Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.