
Fight the Power
Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.

Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.

RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.

Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.

Poke and Combs looped Mtume's Juicy Fruit, and Wallace told the rags to riches story that hip hop kept retelling.

Havoc built the beat in his Queensbridge bedroom from a slowed Herbie Hancock piano figure and a Daly-Wilson drum break.
Rick Rubin's first rap production in years, a Billy Squier drum break, and a second verse about a traffic stop.

Ahmad Jamal's piano figure, a hook Pete Rock sang himself, and the most hopeful stretch of Illmatic.

His grandmother told him to knock them out; Marley Marl looped Funky Drummer, and the Grammy followed.

Eight MCs, a beat RZA scrapped and rebuilt, and a 12-inch the group pressed themselves before any label would.

Chucky Thompson built it on the Isley Brothers' Between the Sheets, and Biggie made charm sound entirely effortless.

First released on the Less Than Zero soundtrack, it opens with Malcolm X and never stops arguing rap's case.

Herb Alpert's Rise looped into a strut, released five days before Wallace was killed, number one within weeks.

AZ's first appearance on record, the only rapper Nas let onto Illmatic, and his father Olu Dara closing on trumpet.
Ron Browz's beat, handed over before he knew its target, and a release date set on Jay-Z's birthday.

Timbaland looped a flute from a 1957 Egyptian record, and Pimp C nearly turned the beat down for sounding pop.

Large Professor looped Human Nature into a hush, and Nas closed Illmatic with his most dazzling stretch of technique.
A Jackson 5 chop, an arena chant, and Jay-Z's first solo top ten, courtesy of a young Kanye West.
The 45 King looped an Annie showtune, and Jay-Z cleared it with a letter he admitted was a lie.
Ski looped Lonnie Liston Smith under a Nas vocal, and Jay-Z made money sound like a weary confession.

Timbaland's beat is all snap and space, and in 2008 a presidential candidate borrowed the shoulder-brush on a Raleigh stage.

DMX turned the beat down for sounding too rock; his uncles talked him into it, and Swizz Beatz arrived.

RZA cut it at Firehouse Studio on almost no budget, Method Man co-produced, and the chorus became the Clan's motto.

Chucky Thompson looped Phil Collins, and Nas rises from a murmur to a roar and back, verse after verse.
James Brown horns looped, an answer to MC Shan's The Bridge, and hip hop's birthplace claimed for the Bronx.

A joke about radio playlists, built on Vic Juris's "Horizon Drive," and it became Gang Starr's most recognizable record.

Nas was twenty and already writing memoir here, over DJ Premier's loop of a Reuben Wilson organ.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.

RZA's murk, Method Man's first single away from the Wu-Tang, and a title Chris Rock borrowed for his 1996 special.
A Bobby Bland soul record from 1974, rebuilt by Kanye West, and Jay-Z sounding untouchable and unloved at the top.
First record to lift the Synthetic Substitution break, which hip hop never stopped using, with Kool Keith rhyming deliberately off-beat.
EPMD signed them off a talent show they lost, and the iggedy style swallowed hip hop for two years.

Just Blaze built the beat for Memphis Bleek, chopped a Rose Royce vocal, and Cam'ron took it to number four.

Chuck D aimed it at corporations that profit off Black neighborhoods without reinvesting, and Pete Rock's remix outgrew the original.

Knobody flipped a Brenda Russell record, Joe sang the hook, and Pun became the first solo Latin rapper certified platinum.
Premier's beat under Guru facing a gun charge, cut at D&D Studios and delivered as a sermon on perseverance.

DR Period built it on the Commodores' "Easy," and Cam'ron and Juelz Santana rode it to number three.

Grandmaster Flash's "The Message" under a "Break My Stride" hook, six weeks at number one, and Mase arrives.

Just Blaze cut it from Supertramp's Crime of the Century, and Fabolous raps it like a man being chased.
Marley Marl looped an Eddie Kendricks record; Ace, co-producing his own debut, made Brooklyn sound like a place to watch.

Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.