
Mr. Brightside
Flowers wrote it after a bad night at a Vegas bar; Britain has kept it charting past 500 weeks.

Flowers wrote it after a bad night at a Vegas bar; Britain has kept it charting past 500 weeks.

Two songs welded together, the tempo dropping a minute in, and a sniper film lending Kapranos his double-edged title.

Nigel Godrich's sessions got scrapped, Gordon Raphael came back, and the descending twin-guitar riff turned everything into a sprint.

Twenty minutes for melody and title, by Flowers' account, and Flood and Moulder gave it Born to Run scale.

Gospel choir the Sweet Inspirations, a bassline Flowers traced to Bowie, and a refrain built for arenas.

Cut in Aaron Dessner's Brooklyn garage, a horn part stripped out late, leaving that rolling drum pattern and Berninger's baritone.

Flowers called it the story of trying to meet someone in a club; Keuning's hook does the flirting.

Charlie White's video put an animatronic puppet through a real emergency room, six puppeteers digitally erased; fans named it Norman.