
Raging Bull
Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.

Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.

Eastwood spends an hour making you love a boxing underdog story and then does something else entirely: nothing in American film is tougher than where it ends up.

Stallone wrote it himself and would not sell the script unless he could star: a club fighter from Philadelphia is handed a title shot as a publicity stunt, and takes it completely seriously.

Leon Gast shot the footage in 1974 and could not finish the film for twenty-two years: Ali in Kinshasa, talking constantly, in the weeks before the biggest fight of his life.

Christian Bale plays the older brother who threw away his own career and cannot stop coaching: Lowell, Massachusetts shot from inside the family, which is the hardest opponent in it.

James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.