
Casino Royale
It stripped Bond back to a man who bleeds: the parkour chase in the opening twenty minutes told audiences immediately that the gadgets and the winking were gone.

It stripped Bond back to a man who bleeds: the parkour chase in the opening twenty minutes told audiences immediately that the gadgets and the winking were gone.

Roger Deakins photographed a James Bond film and the series has never looked the same: the Shanghai fight plays out in silhouette against neon, and the plot finally asks what Bond is for.

Everything the Bond series still does was fixed here: the Aston Martin, the title song belted over the opening credits, the death trap the villain explains, and a henchman with a signature weapon.

The Bond series begins here on a million dollars: Sean Connery walks into a casino and says the name, Ursula Andress comes out of the Caribbean, and nobody had met anyone like him.

The Bond film that leans on people rather than hardware: Terence Young works a courier scheme through Istanbul and the Orient Express, and stages a train compartment fight in near silence.

The ski jump off the cliff opening a parachute painted like a Union Jack is the single best Bond stunt: Roger Moore's finest hour, with Jaws and an underwater Lotus.

George Lazenby played Bond once and quit, and it took decades for anyone to admit how good this is: the ski chases are the best in the series, and Diana Rigg is extraordinary.