
Toy Story
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.

First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.

Pixar took a third film in a series somewhere nobody expected it to go: the toys end up far from a toy box, and the last act is genuinely harrowing.

Pixar scrapped the whole film and rebuilt it in nine months, and it came out better than expected: the song about being outgrown is what people remember.

Animation has never conveyed the physical sensation of flight this well: Roger Deakins consulted on the lighting, and a Viking boy who cannot fight befriends the creature he was raised to kill.

Robin Williams improvised for hours and the animators drew to whatever he gave them: the Genie is still the fastest thing in any Disney film, and every animated star cast since owes him.

Penny Marshall became the first woman to direct a film that made a hundred million dollars: Tom Hanks plays a thirteen-year-old in an adult body and never once winks at the audience.

James Stewart played it on Broadway and returned to the part for decades: an unfailingly pleasant man insists his closest friend is a six-foot-three invisible rabbit, and his family wants him committed.